Reviews
‘Camp’ Review: Avalon Fast’s Horror Feature Explores the Other Side of Trauma
Writer-director Avalon Fast explores what happens when a broken soul heals wrong in their fantastical summer horror film 'Camp.'
‘Pitfall’ Review: Even a Bad Outdoors Slasher Still Has Its Moments
James Kondelik's 'Pitfall' is a bit too rough around the edges to hit the mark, but it still knows how to play the redneck hits.
‘Misper’ Review: Harry Sherriff’s Debut Is a Beautiful Ghost Story for the Living
Harry Sherriff's 'Misper' may only be horror-adjacent, but it deserves to be celebrated as a tender examination of what follows trauma.
‘The Mid-Night Driver’ Review: The Right Mix of Nostalgia and Horror
Alex Cherney's 'The Mid-Night Driver' feels lifted from the pages of classic horror anthologies like 'Tales from the Crypt.'
‘Sender’ Review: Britt Lower Anchors a Relatably Mundane Nightmare
Russell Goldman's 'Sender' may be overwrought at times, but Britt Lower and the rest of the cast anchor this relatably mundane nightmare.
‘Backrooms’ Review: An Empty Exercise in Liminal Storytelling
Kane Parsons may have hit it big with 'Backrooms,' but his debut feature is still an exercise in style without substance.
‘The Unknown’ Review: An Unnerving Body-Swap Slow Burn
With 'The Unknown,' 'Anatomy of a Fall' co-writer Arthur Harari directs a masterclass in unnerving tension.
‘Passenger’ Review: The Spirit of the ’90s Is Alive in Your Van
André Øvredal's 'Passenger' is a throwback to '90s horror that is always just clever enough to never overstay its welcome.
‘Obsession’ Review: Toxic Love Has Never Felt This Good
'Obsession' establishes Curry Barker as one of horror's rising stars - and, in a just world, would make Inde Navarrette a household name.
‘Faces of Death’ Review: Shudder’s Meta-Sequel Is Weaponized by Apathy
Daniel Goldhaber and Issa Mazzei's 'Faces of Death' strikes an uncertain chord, but there's no denying its power.
‘Exit 8’ Review: Meet Your New Favorite Liminal Space
Genki Kawamura's 'Exit 8' is more a thought exercise than an emotional journey, but that's enough to maintain our interest.
‘Hunting Matthew Nichols’ Review: A Solid Exercise in Docu-Horror
Markian Tarasiuk's 'Hunting Matthew Nichols' looks for inspiration in true crime documentaries - and it mostly works.
