‘May’ Is a Grotesque Plea for Kindness
October 24th, 2024 • Molly Henery
Molly Henery breaks down Lucky McKee’s ‘May’ as a perfect example of Uterus Horror – and a grotesque plea for empathy.
October 24th, 2024 • Molly Henery
Molly Henery breaks down Lucky McKee’s ‘May’ as a perfect example of Uterus Horror – and a grotesque plea for empathy.
August 29th, 2024 • Molly Henery
Molly Henery’s Uterus Horror series returns with this heartfelt dive into Goran Stolevski’s ‘You Won’t Be Alone.’
August 28th, 2024 • Amy Watkins
Amy Watkins examines Lucky McKee’s ‘The Woods,’ a movie that combines folklore and horror in familiar and unfamiliar ways.
August 23rd, 2024 • Eric Vega
Erica Vega explores the segments of ‘4bia,’ an anthology film from four of Thailand’s greatest horror directors.
August 21st, 2024 • Nathan Keowen
Nathan Keowen explains how Takashi Miike subverts both horror tropes and musicals in ‘The Happiness of the Katakuris.’
July 20th, 2024 • Lauren Gallagher
Lauren Gallagher explains why Marcel Sarmiento and Gadi Harel’s ‘Deadgirl’ has more on its mind than just exploitation.
July 10th, 2024 • Josh Bell
Josh Bell explains how filmmaker Misty Talley (‘Santa Jaws,’ ‘Zombie Shark’) finds the heart in sharksploitation.
July 3rd, 2024 • Sezín Devi (Koehler)
Sezin Devi Koehler examines the 2002 ‘Carrie’ adaptation, which brought fresh blood to the small screen for Stephen King’s book.
June 27th, 2024 • Molly Henery
Molly Henery explores the unease of Jane Schoenbrun’s ‘We’re All Going To the World’s Fair,’ a horror story for the online among us.
June 19th, 2024 • Chris John Poole
Chris Poole colors between the lines of ‘The Green Marker Scare,’ Graham Jones’s horror film hand-animated entirely by children.