Uterus Horror columnist Molly Henery finds more than muppets in Jennifer Connelly’s coming-of-age classic, ‘Labyrinth.’
In this month’s Uterus Horror, Molly Henery tackles ‘Bones and All,’ Luca Guadagnino’s coming-of-age cannibalism movie.
Molly Henery’s latest Uterus Horror column explores ‘Eve’s Bayou,’ a new classic that finds tragedy at the heart of adolescence.
If you watched Phil Tippett’s ‘Mad God’ and wondered how well each creature could kiss, well, you’re certainly not alone.
Claire C. Holland compares how films like ‘The Witch’ and ‘Promising Young Woman’ fit into the Good For Her Cinematic Universe.
Julieann Stipidis kicks off Halloweiner month at Certified Forgotten with an ode to unsafe horror like ‘Terrifier’ and ‘Terrifier 2.’
January 30th, 2023 • Sharena Sigmon
Sharena Sigmon examines the intersection of Blackness and medicine in Mathieu Kassovitz’s 2003 horror film ‘Gothika.’
January 30th, 2023 • Christine Makepeace
Christine Makepeace explains why, despite its flaws, Robert Green Hall’s ‘Laid to Rest’ is a marvel of practical slasher effects.
January 18th, 2023 • Samantha Jacobs
‘Quicksilver Highway’ offered an unexpected, made-for-TV marriage between horror titans Stephen King and Clive Barker.
January 11th, 2023 • Molly Henery
Uterus Horror columnist Molly Henery finds more than muppets in Jennifer Connelly’s coming-of-age classic, ‘Labyrinth.’
December 30th, 2022 • Brendan Foley
Brendan Foley explains how Zak Hilditch’s ‘1922’ captures the uncharacteristic darkness in Stephen King’s original novella.
December 29th, 2022 • Akos Peterbencze
Akos Peterbencze writes about Tyler Michael James’s ‘Low Life,’ a trauma-fueled tragedy that will linger on your mind for days.
December 27th, 2022 • Molly Henery
In this month’s Uterus Horror, Molly Henery tackles ‘Bones and All,’ Luca Guadagnino’s coming-of-age cannibalism movie.
December 20th, 2022 • Eric Langberg
Eric Lanberg returns with a queer reading of ‘Mimic 2,’ the direct-to-video sequel to Guillermo del Toro’s ‘Mimic.’
December 19th, 2022 • Annette LePique
In ‘The Loved Ones,’ writer-director Sean Byrne offers a macabre take on the tolls of girlhood and adolescence.
December 15th, 2022 • Jay Norton
Jay Norton writes about ‘Creep 2,’ Mark Duplass’s horror sequel that has as much to say about the industry as it does about its predecessor.
