Intimate Fears of the Service Industry in ‘The Stylist’
November 30th, 2023 • Devaughn Taylor
DeVaughn Taylor explains why Jill Gevargzian’s ‘The Stylist’ hits especially hard for people who work in the service industry.
November 30th, 2023 • Devaughn Taylor
DeVaughn Taylor explains why Jill Gevargzian’s ‘The Stylist’ hits especially hard for people who work in the service industry.
November 20th, 2023 • Molly Henery
Molly Henery writes about the depiction of cannibalism, trauma, and adolescence in Jim Mickle’s ‘We Are What We Are.’
November 10th, 2023 • Victoria Jaye
Victoria Jaye explains why the ‘Satan’s School for Girls’ remake endures as an important time capsule of witches in 2000s popular culture.
November 9th, 2023 • Ryan Uytdewilligen
Ryan Uytdewilligen explains the unlikely marriage of horror icon Vincent Price and Canadian kid’s show ‘The Hilarious House of Frightenstein.’
November 2nd, 2023 • Liam Griffin
Liam Griffin tackles the sun-soaked horror subversion of Jonathan Levine’s ‘All The Boys Love Mandy Lane.’
October 31st, 2023 • Molly Henery
For a special Halloween edition of her Uterus Horror column, Molly Henery digs into the movie version of ‘Buffy the Vampire Slayer.’
October 30th, 2023 • Patricia Miranda
If there is an undisputed contender in the what-ifs of cinema history, it would have…
October 27th, 2023 • Livia Reim
Livia Reim returns to Certified Forgotten with an essay on ‘Friendly Beast,’ Gabriela Amaral’s wickedly sharp Brazilian thriller.
October 23rd, 2023 • Sarah Miles
Sarah Miles explains how ‘Savageland’ uses the faux documentary subgenre to craft a perfect political horror story for modern America.
October 17th, 2023 • Eric Langberg
Eric Langberg returns with a thoughtful breakdown of the metatextual ‘The Third Saturday in October’ duology.