In this month’s Uterus Horror column, Molly Henery finds the thematic common ground between ‘The Craft’ and ‘The Craft: Legacy.’
In the latest edition of her Uterus Horror column, Molly Henery celebrates Amber Midthunder’s Naru and all things ‘Prey.’
In this month’s column, Molly Henery celebrates summer with Sam Levine’s dark, violent, and empowering ‘Assassination Nation.’
If you watched Phil Tippett’s ‘Mad God’ and wondered how well each creature could kiss, well, you’re certainly not alone.
Claire C. Holland compares how films like ‘The Witch’ and ‘Promising Young Woman’ fit into the Good For Her Cinematic Universe.
Julieann Stipidis kicks off Halloweiner month at Certified Forgotten with an ode to unsafe horror like ‘Terrifier’ and ‘Terrifier 2.’
November 28th, 2022 • Ciara Moloney
David Winters combined exploitation with genre deconstruction in the Troma Entertainment feature ‘The Last Horror Film.’
November 22nd, 2022 • Adrian Manuel
Adrian Manuel connects the dots between Mark Pellington’s ‘The Mothman Prophecies’ and David Prior’s ‘The Empty Man.’
November 18th, 2022 • Xanthe Pajarillo
Xanthe Pajarillo finds a lot more than novelty in ‘Pathogen,’ the 2006 zombie film from 12-year-old filmmaker Emily Hagins.
November 16th, 2022 • Sezín Koehler
Sezin Koehler celebrates ‘Don’t Go in the Woods,’ Vincent D’Onofrio’s biting slasher-musical about the dark allure of fame.
November 8th, 2022 • Anna McKibbin
Anna McKibbin explores the religious and linguistic significance of ‘The Feast,’ Lee Haven Jones’s Welsh-language horror film.
November 4th, 2022 • Guillermo De Querol
Guillermo De Querol finds empathy within the madness of Japanese director Shinya Tsukamoto’s cult horror classic ‘Kotoko.’
November 3rd, 2022 • Jenn Adams
Jenn Adams highlights the mental and body horrors of Lauren Hadaway’s ‘The Novice’ and shares her own struggles with intrusive thoughts.
October 28th, 2022 • Meg Shields
If you watched Phil Tippett’s ‘Mad God’ and wondered how well each creature could kiss, well, you’re certainly not alone.
October 26th, 2022 • Claire C. Holland
Claire C. Holland compares how films like ‘The Witch’ and ‘Promising Young Woman’ fit into the Good For Her Cinematic Universe.
October 7th, 2022 • Julieann Stipidis
Julieann Stipidis kicks off Halloweiner month at Certified Forgotten with an ode to unsafe horror like ‘Terrifier’ and ‘Terrifier 2.’
