Molly Henery writes about the depiction of cannibalism, trauma, and adolescence in Jim Mickle’s ‘We Are What We Are.’
For a special Halloween edition of her Uterus Horror column, Molly Henery digs into the movie version of ‘Buffy the Vampire Slayer.’
In this edition of Uterus Horror, Molly Henery examines ‘Excision,’ a coming-of-age horror film directed by Richard Bates, Jr.
If you watched Phil Tippett’s ‘Mad God’ and wondered how well each creature could kiss, well, you’re certainly not alone.
Claire C. Holland compares how films like ‘The Witch’ and ‘Promising Young Woman’ fit into the Good For Her Cinematic Universe.
Julieann Stipidis kicks off Halloweiner month at Certified Forgotten with an ode to unsafe horror like ‘Terrifier’ and ‘Terrifier 2.’
November 30th, 2023 • Devaughn Taylor
DeVaughn Taylor explains why Jill Gevargzian’s ‘The Stylist’ hits especially hard for people who work in the service industry.
November 20th, 2023 • Molly Henery
Molly Henery writes about the depiction of cannibalism, trauma, and adolescence in Jim Mickle’s ‘We Are What We Are.’
November 10th, 2023 • Victoria Jaye
Victoria Jaye explains why the ‘Satan’s School for Girls’ remake endures as an important time capsule of witches in 2000s popular culture.
November 9th, 2023 • Ryan Uytdewilligen
Ryan Uytdewilligen explains the unlikely marriage of horror icon Vincent Price and Canadian kid’s show ‘The Hilarious House of Frightenstein.’
November 2nd, 2023 • Liam Griffin
Liam Griffin tackles the sun-soaked horror subversion of Jonathan Levine’s ‘All The Boys Love Mandy Lane.’
October 31st, 2023 • Molly Henery
For a special Halloween edition of her Uterus Horror column, Molly Henery digs into the movie version of ‘Buffy the Vampire Slayer.’
October 30th, 2023 • Patricia Miranda
If there is an undisputed contender in the what-ifs of cinema history, it would have…
October 27th, 2023 • Livia Reim
Livia Reim returns to Certified Forgotten with an essay on ‘Friendly Beast,’ Gabriela Amaral’s wickedly sharp Brazilian thriller.
October 23rd, 2023 • Sarah Miles
Sarah Miles explains how ‘Savageland’ uses the faux documentary subgenre to craft a perfect political horror story for modern America.
October 17th, 2023 • Eric Langberg
Eric Langberg returns with a thoughtful breakdown of the metatextual ‘The Third Saturday in October’ duology.
