Reviews
‘Namaslay’ Review: Yoga Spin on ‘Suspiria’ Falls Just Short
Rish and Kanish's 'Namaslay' promises kitchen sink filmmaking, but struggles to deliver on its biggest ideas.
‘Soulm8te’ Review: ’90s Smut Gets a High-Tech Reboot
Despite its rocky road to distribution, Kate Dolan's 'Soulm8te' is a fascinating mashup of the high-brow and the low-brow.
‘Evil Dead Burn’ Review: A Masterclass in Kinetic Horror
With 'Evil Dead Burn,' filmmaker Sebastien Vanicek proves that the winning formula of 'Evil Dead Rise' was no fluke.
‘Camp’ Review: Avalon Fast’s Horror Feature Explores the Other Side of Trauma
Writer-director Avalon Fast explores what happens when a broken soul heals wrong in their fantastical summer horror film 'Camp.'
‘Pitfall’ Review: Even a Bad Outdoors Slasher Still Has Its Moments
James Kondelik's 'Pitfall' is a bit too rough around the edges to hit the mark, but it still knows how to play the redneck hits.
‘Misper’ Review: Harry Sherriff’s Debut Is a Beautiful Ghost Story for the Living
Harry Sherriff's 'Misper' may only be horror-adjacent, but it deserves to be celebrated as a tender examination of what follows trauma.
‘The Mid-Night Driver’ Review: The Right Mix of Nostalgia and Horror
Alex Cherney's 'The Mid-Night Driver' feels lifted from the pages of classic horror anthologies like 'Tales from the Crypt.'
‘Sender’ Review: Britt Lower Anchors a Relatably Mundane Nightmare
Russell Goldman's 'Sender' may be overwrought at times, but Britt Lower and the rest of the cast anchor this relatably mundane nightmare.
‘Backrooms’ Review: An Empty Exercise in Liminal Storytelling
Kane Parsons may have hit it big with 'Backrooms,' but his debut feature is still an exercise in style without substance.
‘The Unknown’ Review: An Unnerving Body-Swap Slow Burn
With 'The Unknown,' 'Anatomy of a Fall' co-writer Arthur Harari directs a masterclass in unnerving tension.
‘Passenger’ Review: The Spirit of the ’90s Is Alive in Your Van
André Øvredal's 'Passenger' is a throwback to '90s horror that is always just clever enough to never overstay its welcome.
‘Obsession’ Review: Toxic Love Has Never Felt This Good
'Obsession' establishes Curry Barker as one of horror's rising stars - and, in a just world, would make Inde Navarrette a household name.
