All Articles
‘Faces of Death’ Review: Shudder’s Meta-Sequel Is Weaponized by Apathy
Daniel Goldhaber and Issa Mazzei's 'Faces of Death' strikes an uncertain chord, but there's no denying its power.
Turning a Savage Subgenre Silly with ‘The Eternal Evil of Asia’
In this edition of Hopping Mad, Rob Hunter explores 'The Eternal Evil of Asia,' a Cat III shocker that delivers more fun than cruelty.
‘Exit 8’ Review: Meet Your New Favorite Liminal Space
Genki Kawamura's 'Exit 8' is more a thought exercise than an emotional journey, but that's enough to maintain our interest.
We’re Already Living in the ‘Land of the Dead’
Christine Makepeace revisits George Romero's 'Land of the Dead' and explains why the end of the world is no reason to play dead.
‘Hunting Matthew Nichols’ Review: A Solid Exercise in Docu-Horror
Markian Tarasiuk's 'Hunting Matthew Nichols' looks for inspiration in true crime documentaries - and it mostly works.
‘The Cremator’ Is a Meditation on Extremist Indoctrination
Tori Potenza explains why Juraj Herz's 'The Cremator' remains, sadly, as relevant today as it was a half-century ago.
‘1000 Women in Horror’ Review: A Much-Needed Refresh of Horror Canon
'1000 Women in Horror,' the new documentary from Donna Davies and Alexandra Heller-Nicholas, returns women to the heart of horror.
‘Ready or Not: Here I Come’ Review: Better Living Through Bloodshed
Everyone's favorite bad-luck bride is back in 'Ready or Not: Here I Come,' the bloodier and sillier sequel from Radio Silence.
‘Predators’ Wants Us To Maintain Our Empathy Amidst the Horrors
Lívia Reim explains why there's an important lesson in empathy for horror fans who seek out David Osit's 'Predators' documentary.
‘undertone’ Review: Even Great Sound Design Still Needs a Story
Ian Tuason's 'undertone' may be a masterclass in sound design, but it still fails to give us a story worth caring about.
‘Bed Rest’ Is an Overlooked Showcase for Melissa Barrera
Melissa Barrera's performance in Lori Evans Taylor's 'Bed Rest' is proof that the horror genre is better with Barrera at its front.
‘The Bride!’ Review: Maggie Gyllenhaal’s Dull Attempt at Meta Monsters (and Mobsters)
Maggie Gyllenhaal’s ‘The Bride!’ is a vexing mash-up of monsters and mobsters with little to say about its disparate parts.
