Skip to Content

All Articles

‘undertone’ Review: Even Great Sound Design Still Needs a Story

Ian Tuason's 'undertone' may be a masterclass in sound design, but it still fails to give us a story worth caring about.

March 12, 2026

‘Bed Rest’ Is an Overlooked Showcase for Melissa Barrera

Melissa Barrera's performance in Lori Evans Taylor's 'Bed Rest' is proof that the horror genre is better with Barrera at its front.

March 10, 2026

‘The Bride!’ Review: Maggie Gyllenhaal’s Dull Attempt at Meta Monsters (and Mobsters)

Maggie Gyllenhaal’s ‘The Bride!’ is a vexing mash-up of monsters and mobsters with little to say about its disparate parts.

March 4, 2026

Podcast: Tori Potenza on ‘The Cremator’

Film critic and programmer Tori Potenza joins Certified Forgotten to discuss Juraj Herz's antifascist horror film 'The Cremator.'

February 27, 2026

‘Diabolic’ Review: Uneven Balance of Religious and Gonzo Horror

Daniel J. Phillips's 'Diabolic' sets its sight on fundamentalist Christian groups but can never quite commit to a subgenre of horror.

February 27, 2026