Skip to Content
Podcasts

Podcast: Micheline Pitt-Norman and R.H. Norman on ‘The Pit’

Micheline Pitt-Norman and R.H. Norman join Certified Forgotten to talk about their 'V/H/S/Halloween' segment and Lew Lehman's 'The Pit.'

Micheline Pitt-Norman R.H. Norman The Pitt Poster

@michelinepitt (Instagram,), Amulet Pictures/Ambassador Film Distributors

From Jordan Downey to Kate Siegel, Certified Forgotten is always down to talk to filmmakers from the V/H/S franchise. And with the latest entry in the series fully embracing its Halloween roots, who better to guide us to the holidays than Micheline Pitt-Norman and R.H. Norman, the married writer-director duo behind "Home Haunt," the final segment in V/H/S/Halloween. Pitt-Norman and Norman join the podcast to talk about their short feature, their lifelong love of the genre, and this week's perverted movie of choice: Lew Lehman's The Pitt.

Jamie Benjamin (Sammy Synders) is not a good kid. His neighbors know this. His parents know this. In fact, the only person who doesn't seem to recognize how creepy Jamie can be is Sandy O'Reilly (Jeannie Elias), the babysitter the Benjamins hire to keep an eye on Jamie while they're traveling for work. But over time, Sandy begins to notice odd things about her new ward. Such as his lack of friends, or his obsession with nudity. Or maybe, just maybe, the fact that Jamie admits that he has been secretly feeding a group of "tra la las" (troglodytes) who live in a hole in the woods near Jamie's house. What happens next in Lehman's feature? Only the weirdos need stick around and find out.

In this short excerpt from the episode, Norman highlights one of the underrated challenges of making a found footage movie: finding ways to add a soundtrack to a film where everything is inherently diegetic.

We wanted it to be a really authentic found footage film, meaning that everything's edited in camera, right? If Keith or Zach are turning off the camera, those are the cuts. I'd say we got about 95% there, there's always producer notes and you trim something there, but if you watch it, it feels like it's just a sequence of events, start and stop from the camera, from where they start to where they end. And that doesn't allow for a score, right? The music has to be diegetic and we knew we wanted some music.

The The Pit episode of the Certified Forgotten podcast with Micheline Pitt-Norman and R.H. Norman is now available to stream on SpotifyApple PodcastsYouTube Music, or the podcast platform of your choice.

If you enjoyed this article, please share it on social media! Word of mouth is everything for independent publications likes ours.

Stay in touch

Sign up for our free newsletter

More from Certified Forgotten

‘The Unknown’ Review: An Unnerving Body-Swap Slow Burn

With 'The Unknown,' 'Anatomy of a Fall' co-writer Arthur Harari directs a masterclass in unnerving tension.

May 27, 2026

‘Passenger’ Review: The Spirit of the ’90s Is Alive in Your Van

André Øvredal's 'Passenger' is a throwback to '90s horror that is always just clever enough to never overstay its welcome.

May 26, 2026

Podcast: ‘Obsession’ Gets Uncertified

In this episode of the Certified Forgotten podcast, Matt Donato and Matt Monagle fall in love with Curry Barker's 'Obsession.'

May 23, 2026

‘Killer Karaoke’ Seeks a Bloody Harmony Between the Goofy and the Sincere

In this edition of his Hopping Mad series, Rob Hunter sings his own love song to Siwakorn Charupongsa's 'Killer Karaoke.'

May 22, 2026

‘Obsession’ Review: Toxic Love Has Never Felt This Good

'Obsession' establishes Curry Barker as one of horror's rising stars - and, in a just world, would make Inde Navarrette a household name.

May 19, 2026

In ‘End of the Line,’ Faith is Anything But a Binary

Faith isn't everything in Maurice Devereaux's 'End of the Line,' which presents the rapture through a low-budget horror lens.

May 13, 2026
See all posts