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Podcast: ‘It Ends’ Gets Uncertified
Matt Donato and Matthew Monagle talk Letterboxd and high-concept horror in their discussion of Alexander Ullom's 'It Ends.'
‘The Sacrifice Game’ Brings Horror Home for the Holidays
Molly Henery shares horror for the holidays with her essay on Jenn Wexler's Christmas film 'The Sacrifice Game.'
Podcast: ‘Silent Night, Deadly Night’ Gets Uncertified
Matt Donato and Matthew Monagle sit down for a conversation about Mike P. Nelson's 'Silent Night, Deadly Night' remake
Podcast: ‘Five Nights at Freddy’s 2’ Gets Uncertified (with BJ Colangelo)
Film critic BJ Colangelo joins Matt Donato to discuss 'Five Nights at Freddy's 2,' the latest adaptation of the popular video game series.
Will Letterboxd’s Video Store Be Good for Indie Horror?
Film distribution guru James Emanuel Shapiro explains why Letterboxd's Video Store strategy has good intentions but tough sledding ahead.
Podcast: Meredith Borders on ‘The Peanut Butter Solution’
Fangoria senior editor Meredith Borders returns to the podcast to talk about gateway horror cult classic 'The Peanut Butter Solution.'
‘Spiral’ Is a Warning That Bleeds Through the Screen
Christine Makepeace explains why Kurtis David Harder's 'Spiral' has only increased in urgency since its release.
Podcast: ‘Keeper’ Gets Uncertified
Matt Donato and Matthew Monagle break their recent Osgood Perkins ceasefire in this discussion of 'Keeper.'
‘Wildling’ Offers No Mercy for Weak-Minded Men
Molly Henery sheds no tears for the small-minded men of Fritz Böhm's 'Wildling' in this edition of her Uterus Horror series.
‘Keeper’ Review: Falling Out of Love Never Felt This Good
'Keeper,' the latest film from 'Longlegs' director Osgood Perkins, combines the best of the worst in romance, horror, and paranoia.
Podcast: Colin Le Sueur on ‘Black Mountain Side’
Tabletop designer Colin Le Sueur talks cosmic horror in game design and his love of Nick Szostakiwskyj's 'Black Mountain Side.'
I Know What You Did Last ‘Solstice’
Christine Makepeace explains why Daniel Myrick's 'Solstice' occupies a fascinating transitional space in modern horror history.
