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Certified Forgotten

Certified Forgotten Live in Los Angeles

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<p>Molly Henery is a film critic, entertainment writer, and author of both nonfiction and fiction with a Master&#8217;s degree in professional creative writing. Molly began writing horror film reviews for her own website, The Blogging Banshee, before eventually branching out and writing for other outlets including Fangoria, Dread Central, Nightmarish Conjurings, and more. She is most well-known for her “Uterus Horror” column on Certified Forgotten which examines a different film each month in a subgenre of horror Molly named and defined. Molly has made a name for herself as a horror genre expert which has allowed her to be a guest on numerous podcasts, is a cast member of Mental Health and Horror: A Documentary, and co-authored the upcoming book, Queer Horror: A Film Guide. Keep up on what Molly Henery is watching and writing about on her social media.</p>


Molly Henery

Juno Temple Riley Keough Jack & Diane

Uterus Horror

‘Jack & Diane’ and the Hunger of First Love

Sara Montpetit Humanist Vampire Seeking Consenting Suicidal Person

Hope in ‘Humanist Vampire Seeking Consenting Suicidal Person’

Kiernan Shipka The Blackcoat’s Daughter

The Absent Adults of ‘The Blackcoat’s Daughter’

Angela Bettis May

‘May’ Is a Grotesque Plea for Kindness

You Won’t Be Alone

‘You Won’t Be Alone’ Explores What It Means To Be Human

Were All Going To The Worlds Fair

The Universal Unease of ‘We’re All Going To the World’s Fair’

Michalina Olszanska The Lure Movie

‘The Lure’ Is a Tragic Retelling of ‘The Little Mermaid’

Rainbow Harvest Mirror Mirror

‘Mirror Mirror’ Reflects the Horror of Being a Teenager

Kiah McKirnan Prepetrator

In ‘Perpetrator,’ Empathy Is a Gift—And a Weapon

Fairuza Balk Return To Oz

‘Return To Oz’ Still Breeds Adolescent Horrors

Katharine Isabelle Emily Perkins Ginger Snaps Back The Beginning

Editorials

In ‘Ginger Snaps Back: The Beginning,’ Men Are the Real Monsters

Julia Garner Ambyr Childers We Are What We Are

Breaking Free From Trauma in ‘We Are What We Are’