Skip to Content
Podcasts

Podcast: ‘Longlegs’ Gets Uncertified

Join Matt Donato and Matthew Monagle for a heated conversation on the career of Osgood Perkins and why 'Longlegs' just works.

Maika Monroe Longlegs

NEON

From day one, the co-creators of Certified Forgotten have argued about the movies of Oz Perkins. So it was probably destiny that Matt Donato and Matthew Monagle should sit down to discuss Longlegs, the director's new procedural horror that delighted everyone at the site, regardless of their opinions on The Blackcoat's Daughter.

Whether you call it precognition or just intuition, agent Lee Harker (Maika Monroe) has a gift. So when the FBI runs out of leads for a series of murders — murders only linked by coded letters signed by someone named ‘Longlegs' — they take a risk on the junior agent. But as Harker inches closer to the true identity of Longlegs (Nicolas Cage), she threatens to reveal a personal connection that could put everything she worked for at risk. Directed by Osgood Perkins, Longlegs is David Fincher by way of the devil — and the unquestioned horror movie of the summer.

In this short excerpt from the episode, Matt Monagle explains what it is that makes Oz Perkins his all-time favorite filmmaker:

There are directors where every movie that they've made I really, really like. Oz Perkins is not a director where every single movie he's made, I've been like, "This is great. This is in my Top 10 list of the year." But when he's on – when he and I are on the same wavelength – I am vibing with his stuff harder than any other filmmaker working in the genre.

The Longlegs episode of the Certified Forgotten podcast is now available to stream on SpotifyApple PodcastsYouTube Music, or the podcast platform of your choice.

If you enjoyed this article, please share it on social media! Word of mouth is everything for independent publications likes ours.

Stay in touch

Sign up for our free newsletter

More from Certified Forgotten

‘Misper’ Review: Harry Sherriff’s Debut Is a Beautiful Ghost Story for the Living

Harry Sherriff's 'Misper' may only be horror-adjacent, but it deserves to be celebrated as a tender examination of what follows trauma.

June 20, 2026

‘The Mid-Night Driver’ Review: The Right Mix of Nostalgia and Horror

Alex Cherney's 'The Mid-Night Driver' feels lifted from the pages of classic horror anthologies like 'Tales from the Crypt.'

June 20, 2026

‘Sender’ Review: Britt Lower Anchors a Relatably Mundane Nightmare

Russell Goldman's 'Sender' may be overwrought at times, but Britt Lower and the rest of the cast anchor this relatably mundane nightmare.

June 16, 2026

Podcast: ‘Backrooms’ Gets Uncertified

Certified Forgotten hosts Matt Donato and Matthew Monagle sit down to discuss Kane Parsons's 'Backrooms,' his breakout debut horror feature.

June 15, 2026

In ‘Cam,’ Everyone’s a Copy and Nobody Cares

Christine Makepeace explains why Daniel Goldhaber and Isa Mazzei’s 'Cam' is a prescient warning against a digital dystopia.

‘Backrooms’ Review: An Empty Exercise in Liminal Storytelling

Kane Parsons may have hit it big with 'Backrooms,' but his debut feature is still an exercise in style without substance.

June 1, 2026
See all posts