Skip to Content
Podcasts

Podcast: ‘Final Destination Bloodlines’ Gets Uncertified

Matt Donato and Matthew Monagle discuss 'Final Destination Bloodlines' from very different 'Final Destination' backgrounds.

Owen Joyner Final Destination Bloodlines

Warner Bros. Pictures

When the first Final Destination movie hit theaters in March 2000, nobody could have known we were witnessing the start of a decades-spanning horror franchise. But after a 14-year gap between the fifth and sixth movies, the franchise is finally back with Final Destination Bloodlines, which features an opening premonition up there with the best of the franchise - and a touching sendoff to franchise icon Tony Todd, who passed away last year.

In 1968, a young woman named Iris Campbell (Brec Bassinger) dies tragically alongside hundreds of others during the collapse of a high-rise restaurant. Except this is a Final Destination movie, which means Iris didn't die that night; she caught a glimpse of the destruction to come and saved herself from this disaster. Now, generations later, her granddaughter Stefani (Kaitlyn Santa Juana) is having visions of the disaster that never happened, and soon Stefani will unearth the dark secret we already know: that death is a family affair. Directed by Zach Lipovsky and Adam Stein from a screenplay by Guy Busick and Lori Evans Taylor, Final Destination Bloodlines is a welcome reboot for every Millennial's favorite horror franchise.

In this short excerpt from the episode, Matt Donato explains why the familial conceit of the film works so well:

They're not just high schoolers that go to the same school. They're not just people who are randomly here or there and just happen to survive something crazy because of a premonition someone has. This is a family. These are people that really care about each other and want each other to live. So the stakes are higher.

The Final Destination Bloodlines episode of the Certified Forgotten podcast is now available to stream on SpotifyApple PodcastsYouTube Music, or the podcast platform of your choice.

If you enjoyed this article, please share it on social media! Word of mouth is everything for independent publications likes ours.

Stay in touch

Sign up for our free newsletter

More from Certified Forgotten

‘The Cremator’ Is a Meditation on Extremist Indoctrination

Tori Potenza explains why Juraj Herz's 'The Cremator' remains, sadly, as relevant today as it was a half-century ago.

March 23, 2026

‘1000 Women in Horror’ Review: A Much-Needed Refresh of Horror Canon

'1000 Women in Horror,' the new documentary from Donna Davies and Alexandra Heller-Nicholas, returns women to the heart of horror.

March 21, 2026

‘Ready or Not: Here I Come’ Review: Better Living Through Bloodshed

Everyone's favorite bad-luck bride is back in 'Ready or Not: Here I Come,' the bloodier and sillier sequel from Radio Silence.

March 20, 2026

‘Predators’ Wants Us To Maintain Our Empathy Amidst the Horrors

Lívia Reim explains why there's an important lesson in empathy for horror fans who seek out David Osit's 'Predators' documentary.

March 17, 2026

‘undertone’ Review: Even Great Sound Design Still Needs a Story

Ian Tuason's 'undertone' may be a masterclass in sound design, but it still fails to give us a story worth caring about.

March 12, 2026

‘Bed Rest’ Is an Overlooked Showcase for Melissa Barrera

Melissa Barrera's performance in Lori Evans Taylor's 'Bed Rest' is proof that the horror genre is better with Barrera at its front.

March 10, 2026
See all posts