Skip to Content

Episode 21: Joe Lipsett Names ‘The Nameless’

FIlmax

Filmax

It has been over ten years since Jaume Balagueró's Rec reinvigorated the found footage genre. Balagueró's film - in addition to a number of Spanish filmmakers - helped launch Spain to the top of the international marketplace. Horror fans who had already grown to love Japanese horror films or the French New Extremity were thrilled to have a new national cinema to explore.

READ MORE: 'The Hold in the Ground' Finds the Irish Horror in A24

But no national cinema is launched overnight, and Balagueró's success did not begin with Rec. In 1999, the filmmaker launched his directing career with The Nameless, a film inspired in equal parts by the work of David Fincher and Clive Barker. The enduring appeal of the film is so strong for Spanish moviegoers that The Nameless was recently announced as the inspiration for an ongoing television series as well.

READ MORE: Exploitation and Empowerment in the Films of Sion Sono

In this new episode of Certified Forgotten, the Matts are joined by Canadian horror scholar Joe Lipsett to discuss the cultural importance of Balagueró's debut feature. With a long conversation about national cinema, religion, and the challenges of international distribution, this episode brings the smart - even when the Matts get sidetracked by a pesky little thing like matricide.

You can purchase a DVD copy of The Nameless by visiting Amazon or your independent retailer of choice. Check out the rest of our podcast episodes on our Podcasts page.

If you enjoyed this article, please share it on social media! Word of mouth is everything for independent publications likes ours.

Stay in touch

Sign up for our free newsletter

More from Certified Forgotten

Podcast: ‘Faces of Death’ Gets Uncertified

Matt Donato and Matthew Monagle sit down to discuss 'Faces of Death,' a horror meta-remake from Daniel Goldhaber and Isa Mazzei.

April 24, 2026

‘Faces of Death’ Review: Shudder’s Meta-Sequel Is Weaponized by Apathy

Daniel Goldhaber and Issa Mazzei's 'Faces of Death' strikes an uncertain chord, but there's no denying its power.

April 9, 2026

Turning a Savage Subgenre Silly with ‘The Eternal Evil of Asia’

In this edition of Hopping Mad, Rob Hunter explores 'The Eternal Evil of Asia,' a Cat III shocker that delivers more fun than cruelty.

April 8, 2026

‘Exit 8’ Review: Meet Your New Favorite Liminal Space

Genki Kawamura's 'Exit 8' is more a thought exercise than an emotional journey, but that's enough to maintain our interest.

April 7, 2026

We’re Already Living in the ‘Land of the Dead’

Christine Makepeace revisits George Romero's 'Land of the Dead' and explains why the end of the world is no reason to play dead.

April 3, 2026

‘Hunting Matthew Nichols’ Review: A Solid Exercise in Docu-Horror

Markian Tarasiuk's 'Hunting Matthew Nichols' looks for inspiration in true crime documentaries - and it mostly works.

March 31, 2026
See all posts