Skip to Content
Podcasts

Podcast: ‘Dangerous Animals’ Gets Uncertified

Matt Donato and Matthew Monagle discuss 'Dangerous Animals,' a new shark movie from beloved horror filmmaker Sean Byrne.

Hassie Harrison Dangerous Animals

Independent Film Company / Shudder

When you've written one of the definitive rankings of shark movies, you get to call yourself an expert on the genre. That's certainly the case with Certified Forgotten cohost Matt Donato, whose breakdown of the best shark movies for IGN is as definitive a list as you can get. So with a new shark movie in theaters – one that includes Jai Courtney as a paunchy boat captain and serial killer – we just had to take our talents to the Gold Coast to talk Dangerous Animals.

The only place Zephyr (Hassie Harrison) has ever truly been happy is on the ocean. But after spending months bumming around Australian beaches, she meets Moses (Josh Heuston), a fellow surfer who makes her think about a life on land. It’s an adorable meet cute – or at least, it would be, if it weren’t interrupted by Tucker (Courtney), a local tour guide who also dabbles a bit with serial killing on the side. Now, Zephyr must find a way to escape Tucker’s boat before she’s the latest victim fed to the fishes. The latest film from Sean Byrne, writer-director of The Loved Ones and The Devil’s Candy, Dangerous Animals is a perfect mashup of serial killers and sharks.

In this short excerpt from the episode, Donato explains why the film's documentarian approach to wildlife makes it such a good shark movie:

You just have to have a good shark to be a decent shark movie. And so many of them have terrible CGI. They can't pull it off, they don't use practical. And what works here - it's kind of like The Reef, where a lot of the shots here are real sharks, but almost like wildlife footage shots. It's not the tank that they are shooting in.

The Dangerous Animals episode of the Certified Forgotten podcast is now available to stream on SpotifyApple PodcastsYouTube Music, or the podcast platform of your choice.

If you enjoyed this article, please share it on social media! Word of mouth is everything for independent publications likes ours.

Stay in touch

Sign up for our free newsletter

More from Certified Forgotten

‘The Cremator’ Is a Meditation on Extremist Indoctrination

Tori Potenza explains why Juraj Herz's 'The Cremator' remains, sadly, as relevant today as it was a half-century ago.

March 23, 2026

‘1000 Women in Horror’ Review: A Much-Needed Refresh of Horror Canon

'1000 Women in Horror,' the new documentary from Donna Davies and Alexandra Heller-Nicholas, returns women to the heart of horror.

March 21, 2026

‘Ready or Not: Here I Come’ Review: Better Living Through Bloodshed

Everyone's favorite bad-luck bride is back in 'Ready or Not: Here I Come,' the bloodier and sillier sequel from Radio Silence.

March 20, 2026

‘Predators’ Wants Us To Maintain Our Empathy Amidst the Horrors

Lívia Reim explains why there's an important lesson in empathy for horror fans who seek out David Osit's 'Predators' documentary.

March 17, 2026

‘undertone’ Review: Even Great Sound Design Still Needs a Story

Ian Tuason's 'undertone' may be a masterclass in sound design, but it still fails to give us a story worth caring about.

March 12, 2026

‘Bed Rest’ Is an Overlooked Showcase for Melissa Barrera

Melissa Barrera's performance in Lori Evans Taylor's 'Bed Rest' is proof that the horror genre is better with Barrera at its front.

March 10, 2026
See all posts