Skip to Content
Podcasts

Podcast: ‘Cold Storage’ Gets Uncertified

Matt Donato and Matthew Monagle discuss Jonny Campbell's 'Cold Storage,' a surprisingly effective throwback to '90s bio-horror.

Joe Keery Georgina Campbell Cold Storage

Samuel Goldwyn Films

If you watch the trailer for Jonny Campbell's Cold Storage, you might walk away thinking you know what to expect: a wink-wink, gross-out horror movie in the vein of '80s splatterpunk. But Cold Storage is a lot more traditional thank you might guess, forgoing the self-conscious humor of much 21st Century horror for the straightforward fun of a '90s action-horror hybrid. That pretty much makes it the perfect subject for this week's podcast episode.

Working at a self-storage facility might not be much, but it’s all Travis (Joe Keery) has. So when his new coworker, Naomi (Georgina Campbell), discovers a section of the building housing decommissioned military research, Travis doesn’t see much harm in exploring. But what they discover — or what discovers them — is one of our government’s darkest secrets, forcing retired special forces officer Robert (Liam Neeson) to face off against a pathogen he thought he’d never see again. Written by longtime Spielberg collaborator David Koepp, Cold Storage is a surprising throwback to ‘90s bio-horror.

In this short excerpt from the episode, Matt Donato explains why Campbell's film feels so rooted in '90s horror:

I think Deep Rising is a great comp, because there's so much confidence in that movie. Deep Blue Sea, even House on Haunted Hill, the remake, there's so much bravado and so much force put into a film that other directors would write off and just cash in.

The Cold Storage episode of the Certified Forgotten podcast is now available to stream on SpotifyApple PodcastsYouTube Music, or the podcast platform of your choice.

If you enjoyed this article, please share it on social media! Word of mouth is everything for independent publications likes ours.

Stay in touch

Sign up for our free newsletter

More from Certified Forgotten

‘undertone’ Review: Even Great Sound Design Still Needs a Story

Ian Tuason's 'undertone' may be a masterclass in sound design, but it still fails to give us a story worth caring about.

March 12, 2026

‘Bed Rest’ Is an Overlooked Showcase for Melissa Barrera

Melissa Barrera's performance in Lori Evans Taylor's 'Bed Rest' is proof that the horror genre is better with Barrera at its front.

March 10, 2026

‘The Bride!’ Review: Maggie Gyllenhaal’s Dull Attempt at Meta Monsters (and Mobsters)

Maggie Gyllenhaal’s ‘The Bride!’ is a vexing mash-up of monsters and mobsters with little to say about its disparate parts.

March 4, 2026

Podcast: Tori Potenza on ‘The Cremator’

Film critic and programmer Tori Potenza joins Certified Forgotten to discuss Juraj Herz's antifascist horror film 'The Cremator.'

February 27, 2026

‘Diabolic’ Review: Uneven Balance of Religious and Gonzo Horror

Daniel J. Phillips's 'Diabolic' sets its sight on fundamentalist Christian groups but can never quite commit to a subgenre of horror.

February 27, 2026

‘Salvation’ Review: A Haunting Gaze at Violent Persecution

Through dreams and nightmares, Turkish filmmaker Emin Alper explores political violence in ‘Salvation,’ his bleak vision of human hatred.

February 25, 2026
See all posts