Editorials
‘The Sacrifice Game’ Brings Horror Home for the Holidays
Molly Henery shares horror for the holidays with her essay on Jenn Wexler's Christmas film 'The Sacrifice Game.'
Will Letterboxd’s Video Store Be Good for Indie Horror?
Film distribution guru James Emanuel Shapiro explains why Letterboxd's Video Store strategy has good intentions but tough sledding ahead.
‘Spiral’ Is a Warning That Bleeds Through the Screen
Christine Makepeace explains why Kurtis David Harder's 'Spiral' has only increased in urgency since its release.
I Know What You Did Last ‘Solstice’
Christine Makepeace explains why Daniel Myrick's 'Solstice' occupies a fascinating transitional space in modern horror history.
Fans of Cosmic Horror Shouldn’t Sleep on ‘Archons’
Fans of cosmic or Indigenous horror would do well to take a chance on Canadian filmmaker Nick Szostakiwskyj's 'Archons.'
‘Livescreamers’ Is the Next Big Idea in Screenlife Horror
Christine Makepeace explains why Michelle Iannantuono's horror sequel 'Livescreamers' breathes new life into screenlife cinema.
The Only Thing Missing in ‘The Midnight Meat Train’ Is New York
Ryuhei Kitamura's adaptation of 'The Midnight Meat Train' does author Clive Barker proud but leaves New York wanting.
