Halloweiner

lede_post_card_default

lede_post_card_stacked

lede_post_card_featured_post

lede_post_card_featured_post_3:2

lede_post_card_featured_post_1:1

lede_post_card_featured_posts_hero

lede_post_card_featured_posts_hero_3:2

lede_post_card_featured_posts_hero_1:1

lede_post_card_featured_posts_sidebar

lede_post_card_highlighted_post

lede_post_card_horizontal_a

lede_post_card_horizontal_c

lede_post_card_related_post

lede_post_card_square

lede_article_featured_16x9

lede_article_featured_16x9_full_width

lede_article_featured_3x2

lede_article_featured_3x2_full_width

lede_article_featured_1x1

lede_article_featured_1x1_full_width

lede_article_featured_flexible

lede_article_featured_flexible_full_width

lede_article_content

lede_article_content_wide_width

lede_article_content_full_width

lede_byline_avatar_post_card

lede_byline_avatar_highlight

lede_profile_coral_avatar

lede_logo

lede_logo_banner

lede_logo_footer_banner

lede_logo_simple_header

lede_sponsorship_logo

lede_sponsorship_logo_river_card

lede_sponsorship_homepage_card_logo

lede_sponsorship_homepage_card

lede_leaderboard

Footer

Main Menu

NavBar

Certified Forgotten is a writer-owned horror publication focused on the little movies that leave a big impression. We publish essays on the underseen and underappreciated horror films of the 21st Century.

Certified Forgotten

Writer, actress, &amp; educator. Writer &amp; director of @BystandersFilm. Intersectional feminist. Lead writer at @xmorbidbeautyx. Stephen King&#8217;s It expert. She/her.

Jamie Alvey

Editorials

Finding Myself in ‘Let’s Scare Jessica to Death’

Erin Devany is an aspiring filmmaker with a love for horror and a passion for all things creative. Her work captures bands, friends, art, pets, portraits, and many of her own creative endeavors. She can currently be found freelancing her work out of the DFW area.

Erin Devany

Religion Begets Trauma in ‘From Within’

Mary Beth McAndrews is a film writer, with a love for horror, based in Washington, DC. She has written for outlets such as RogerEbert.com, Paste Magazine, and Film School Rejects. She is also the co-host of the Scarred For Life podcast and Watched Once, Never Again.

Mary Beth McAndrews

‘Hagazussa’ Melds Heathens and Rape-Revenge

Harmony M. Colangelo is here to do some kickass writing and bartending, and she’s not done a lot of bartending this year. You can see those worlds collide in the recipe book A Year of Queer Cocktails. She has been published in Bloody Disgusting, Certified Forgotten, We Are Horror, and The Bite.

Harmony Colangelo

Finding a Love Without Borders in ‘Wild Zero’

Ed Grabianowski is an author and freelance writer. He’s worked as a contributing writer for io9 and HowStuffWorks (you may know him as The Grabster if you’re a Stuff You Should Know fan). His fiction has appeared in Black Static, David Wellington’s Fear Project, and other publications and anthologies, including Fear After Fear, a collection of his flash horror stories.

Ed Grabianowski

‘Rawhead Rex,’ Folk Horror Classic

Annette LePique is an arts writer and educator based in Chicago. Her research interests include cinema, race, time, hysteria, and the ill body. She has written for Cleo Film Journal, Another Gaze Feminist Film Journal, is a frequent contributor to Chicago Artist Writers, and a Features Writer at Sixty Inches from Center.

Annette LePique

Female Rage in Ted Post’s ‘The Baby’

Rob is a member of the Critics Choice Association and a Rotten Tomatoes-approved critic. While many of Rob&#8217;s contemporaries got into the movie coverage game right after college, Rob spent his formative years managing retail stores and working in the Peet&#8217;s Coffee IT department. That changed in late 2007 when he reached out to a young film site called Film School Rejects about writing opportunities. They didn&#8217;t pay at the time, but free movies and a chance to share his opinions were more than enough for a hobby. He went full-time as a writer some years later and ultimately called FSR his online home for seventeen years.

Rob Hunter

‘Mister Frost’ Offers No Sympathy for the Devil

Jenn is a writer and podcaster from Nashville, TN. She co-hosts both Psychoanalysis: A Horror Therapy Podcast examining mental health topics through the lens of the horror genre and The Loser’s Club: A Stephen King Podcast taking frequent deep dives into the work and adaptations of her favorite author. She is a senior writer for Consequence of Sound and will gladly talk your ear off about final girls, feminism, and Stephen King.

Jenn Adams

The Monstrous Minds of ‘Daniel Isn’t Real’ and ‘The Babadook’

Markus Amalthea Magnuson is a film writer and technologist from Stockholm, Sweden. He holds a BA and MA in Cinema Studies and wrote his master&#8217;s thesis on cyborgs and gender in film and television. He is the Head of Short Film Programming at the genre festival Monsters of Film and curates notable science fiction movies at scifiagenda.com.

Markus Amalthea Magnuson

‘The Laplace’s Demon’ Finds Fear in the Inevitable

Joe George holds a PhD in American Literature and has been teaching English for over ten years. His writing has appeared in places such as Slate, StarTrek,com, Shudder’s The Bite, and Syfy Wire. He regularly contributes words to outlets including Think Christian, Bloody Disgusting, Living Lutheran, and Tor.com.

Joe George

Anthony Mackie Forest Whitaker Repentance

‘Repentance’ and the Spiritual Fear of Damnation

Bee Delores is a freelance writer based in West Virginia. They are a columnist for Bloody Disgusting and have bylines in /Film, Dread Central, Slay Away with Us, Here Us Scream, and others. In 2023, Bee served on the screening board for Overlook Film Festival. They are also the founder of the indie horror blog B-Sides &amp; Badlands. When they&#8217;re not watching Halloween H20 for the one-millionth time, they are hiking, biking, crocheting, or snuggling their four cats.

Bee Delores

‘The Seventh Victim’ Is a Tragic Tale of Mental Health

Chad Collins has been writing professionally about film, especially horror films, since 2020. He started as a contributor for Dread Central and later branched out with pieces for Gayly Dreadful, Rue Morgue, Certified Forgotten, Anatomy of a Scream, and several others. In 2021, Chad was welcomed on as both a staff writer at Dread Central and a features writer at /Film. Since then, he has been fortunate enough to better enmesh himself into the genre, attending the Sundance Film Festival, where in 2022 he was awarded a Press Inclusion Initiative grant, Fantasia International Film Festival, Tribeca Film Festival, South by Southwest, and several others.

Chad Collins

Time-Travelling Trauma in ‘The House at the End of Time’