Chad Collins

Chad Collins has been writing professionally about film, especially horror films, since 2020. He started as a contributor for Dread Central and later branched out with pieces for Gayly Dreadful, Rue Morgue, Certified Forgotten, Anatomy of a Scream, and several others. In 2021, Chad was welcomed on as both a staff writer at Dread Central and a features writer at /Film. Since then, he has been fortunate enough to better enmesh himself into the genre, attending the Sundance Film Festival, where in 2022 he was awarded a Press Inclusion Initiative grant, Fantasia International Film Festival, Tribeca Film Festival, South by Southwest, and several others.

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The House at the End of Time

Time-Travelling Trauma in ‘The House at the End of Time’

May 14th, 2021 • Chad Collins

In Alejandro Hidalgo’s ‘The House at the End of Time,’ even time travel won’t let you escape national and intergenerational trauma.

Tesis Anna Torrent

How National Trauma Shaped Alejandro Amenabar’s ‘Tesis’

August 12th, 2020 • Chad Collins

A young woman – battered, disorientated, and disconsolate – is tied to a chair, her…