Finding a Love Without Borders in ‘Wild Zero’
June 23rd, 2021 • Harmony Colangelo
For film critic Harmony Colangelo, Tetsuro Takeuchi’s ‘Wild Zero’ is the ultimate anthem of love, courage, and rock-and-roll.
June 23rd, 2021 • Harmony Colangelo
For film critic Harmony Colangelo, Tetsuro Takeuchi’s ‘Wild Zero’ is the ultimate anthem of love, courage, and rock-and-roll.
June 21st, 2021 • Ed Grabianowski
Film critic Ed Grabianowski makes the case for ‘Rawhead Rex’ as more folk horror classic than B-movie monsterfest.
June 17th, 2021 • Annette LePique
Film scholar Annette LePique explains how Ted Post’s ‘The Baby’ became the perfect time capsule for 1970s self-obsession.
June 11th, 2021 • Rob Hunter
Film critic Rob Hunter explores how Jeff Goldblum’s signature acting style brings the devil to life in Philippe Setbon’s ‘Mister Frost.’
June 10th, 2021 • Jenn Adams
Film critic Jenn Adams explains how ‘Daniel Isn’t Real’ and ‘The Babdook’ explore different personifications of mental illness.
May 28th, 2021 • Markus Amalthea Magnuson
In ‘The Laplace’s Demon,’ Italian filmmaker Giordano Giulivi utilizes old school technology to guide the bloody hand of fate.
May 24th, 2021 • Joe George
For film critic Joe George, Philippe Caland’s ‘Repentance’ is an all-too-familiar exploration of the terrors of eternal damnation.
May 20th, 2021 • Bee Delores
Jason Scott explores how ‘The Seventh Victim’ offers a candid look at mental illness that is decades ahead of its time.
May 14th, 2021 • Chad Collins
In Alejandro Hidalgo’s ‘The House at the End of Time,’ even time travel won’t let you escape national and intergenerational trauma.
May 6th, 2021 • Charlie Brigden
Long before his work on ‘Avatar’ or ‘Titanic,’ James Horner was a film composer who honed his craft in low-budget horror films.