Religion Begets Trauma in ‘From Within’
June 30th, 2021 • Erin Devany
Erin Devany explores the twisted links between religious trauma and self-harm in Phedon Papamichael’s ‘From Within.’
June 30th, 2021 • Erin Devany
Erin Devany explores the twisted links between religious trauma and self-harm in Phedon Papamichael’s ‘From Within.’
June 25th, 2021 • Mary Beth McAndrews
Film critic Mary Beth McAndrews explores the rape-revenge undertones of Lukas Feigelfeld’s ‘Hagazussa: A Heathen’s Curse.’
June 23rd, 2021 • Harmony Colangelo
For film critic Harmony Colangelo, Tetsuro Takeuchi’s ‘Wild Zero’ is the ultimate anthem of love, courage, and rock-and-roll.
June 21st, 2021 • Ed Grabianowski
Film critic Ed Grabianowski makes the case for ‘Rawhead Rex’ as more folk horror classic than B-movie monsterfest.
June 17th, 2021 • Annette LePique
Film scholar Annette LePique explains how Ted Post’s ‘The Baby’ became the perfect time capsule for 1970s self-obsession.
June 11th, 2021 • Rob Hunter
Film critic Rob Hunter explores how Jeff Goldblum’s signature acting style brings the devil to life in Philippe Setbon’s ‘Mister Frost.’
June 10th, 2021 • Jenn Adams
Film critic Jenn Adams explains how ‘Daniel Isn’t Real’ and ‘The Babdook’ explore different personifications of mental illness.
May 28th, 2021 • Markus Amalthea Magnuson
In ‘The Laplace’s Demon,’ Italian filmmaker Giordano Giulivi utilizes old school technology to guide the bloody hand of fate.
May 24th, 2021 • Joe George
For film critic Joe George, Philippe Caland’s ‘Repentance’ is an all-too-familiar exploration of the terrors of eternal damnation.
May 20th, 2021 • Bee Delores
Jason Scott explores how ‘The Seventh Victim’ offers a candid look at mental illness that is decades ahead of its time.