ARTICLES

June 23rd, 2021 • Harmony Colangelo

For film critic Harmony Colangelo, Tetsuro Takeuchi’s ‘Wild Zero’ is the ultimate anthem of love, courage, and rock-and-roll.

June 21st, 2021 • Ed Grabianowski

Film critic Ed Grabianowski makes the case for ‘Rawhead Rex’ as more folk horror classic than B-movie monsterfest.

June 17th, 2021 • Annette LePique

Film scholar Annette LePique explains how Ted Post’s ‘The Baby’ became the perfect time capsule for 1970s self-obsession.

June 16th, 2021 • Matthew Monagle

Horror critic and mental health professional Mike Snoonian joins the podcast to discuss Stacy Davidson’s 2009 slasher, ‘Sweatshop.’

June 11th, 2021 • Rob Hunter

Film critic Rob Hunter explores how Jeff Goldblum’s signature acting style brings the devil to life in Philippe Setbon’s ‘Mister Frost.’

June 10th, 2021 • Jenn Adams

Film critic Jenn Adams explains how ‘Daniel Isn’t Real’ and ‘The Babdook’ explore different personifications of mental illness.

June 2nd, 2021 • Molly Henery

In her latest Uterus Horror column, critic Molly Henery explore the hidden depths of Swiss mermaid coming-of-age film ‘Blue My Mind.’

May 28th, 2021 • Markus Amalthea Magnuson

In ‘The Laplace’s Demon,’ Italian filmmaker Giordano Giulivi utilizes old school technology to guide the bloody hand of fate.

May 24th, 2021 • Joe George

For film critic Joe George, Philippe Caland’s ‘Repentance’ is an all-too-familiar exploration of the terrors of eternal damnation.

May 20th, 2021 • Bee Delores

Jason Scott explores how ‘The Seventh Victim’ offers a candid look at mental illness that is decades ahead of its time.