Episode 36: Molly Henery on ‘The Hive’
March 31st, 2021 • Matthew Monagle
What do you get when you cross Fede Álvarez‘s Evil Dead remake with Christopher Nolan‘s…
Changing Horror’s Sexual Paradigm in ‘Crone Wood’
March 25th, 2021 • Mary Beth McAndrews
Mark Sheridan’s ‘Crone Wood’ adds a crucial perspective on sexual violence against men to found footage horror.
‘Ghost in the Machine’ Paved the Way for ‘Final Destination’
March 19th, 2021 • Bee Turck
Blake Turck explores how Rachel Talalay’s ‘Ghost in the Machine’ helped set the stage for horror franchises like ‘Final Destination.’
Episode 35: Christine Makepeace on ‘Population 436’
March 17th, 2021 • Matthew Monagle
Certified Forgotten editor Christine Makepeace coins the term Durst Head on this special ‘Population 436’-themed episode of the podcast.
How ‘The Unknown’ Revived Swedish Horror
March 15th, 2021 • Markus Amalthea Magnuson
In the summer of 1999, a small production team led by director Michael Hjorth packed their gear…
Monsters, Menstruation, and Cosmic Love in ‘Spring’
March 1st, 2021 • Molly Henery
In a genre typically considered “for the guys,” it’s time to give a nod to…
Haleigh Foutch and Perri Nemiroff Talk ‘Breaking Surface’
February 24th, 2021 • Matthew Monagle
When you’re asked to premiere a special video episode for a film festival, you pull…
How ‘Hell House LLC’ Gives Life to the Abaddon Hotel
February 22nd, 2021 • Mary Beth McAndrews
In found footage horror films, homes and hotels are often seen as places that must…
‘My Best Friend Is a Vampire’ and ’80s Queer Horror
February 19th, 2021 • Audrey Fox
When My Best Friend is a Vampire first came out in 1987, it was just…
Reading the Female Body in ‘The Autopsy of Jane Doe’
February 16th, 2021 • Kate Bowen
Against a black backdrop, wind howls. Leaves rustle. Twigs rattle and snap. Welcome to André…