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Podcast: B.J. Colangelo on ‘Alleluia! The Devil’s Carnival’
Matthew Monagle
February 9, 2024
Uterus Horror
‘Return To Oz’ Still Breeds Adolescent Horrors
Molly Henery
February 2, 2024
Editorials
‘The Blackcoat’s Daughter’ Is a Fable for the Lonely
Livia Reim
January 26, 2024
Editorials
The Millennial Techno-Anxiety of ‘Landlocked’
Emily Naser-Hall
January 19, 2024
Editorials
Before Reality Television, There Was ‘House on Haunted Hill’
Grant Butler
January 17, 2024
Editorials
In ‘Ginger Snaps Back: The Beginning,’ Men Are the Real Monsters
Molly Henery
December 28, 2023
Editorials
‘The Great Satan’ Puts the ‘Found’ In Found Footage
Nathan Keowen
December 20, 2023
Featured
How ‘Absentia’ Foreshadowed Mike Flanagan’s Horror Legacy
Elizabeth Bishop
December 18, 2023
Editorials
‘Slashers’ Has No Patience for Reality TV
Darcy McBrinn
December 15, 2023
Editorials
‘Mr. Jones’ Is a Twisted Take on Found Footage – And So Much More
Erin Devany
December 8, 2023
Editorials
Intimate Fears of the Service Industry in ‘The Stylist’
Devaughn Taylor
December 1, 2023
Uterus Horror
Breaking Free From Trauma in ‘We Are What We Are’
Molly Henery
November 20, 2023
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