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Certified Forgotten is a writer-owned horror publication focused on the little movies that leave a big impression. We publish essays on the underseen and underappreciated horror films of the 21st Century.

Certified Forgotten

Annette LePique is an arts writer and educator based in Chicago. Her research interests include cinema, race, time, hysteria, and the ill body. She has written for Cleo Film Journal, Another Gaze Feminist Film Journal, is a frequent contributor to Chicago Artist Writers, and a Features Writer at Sixty Inches from Center.

Annette LePique

Editorials

Female Rage in Ted Post’s ‘The Baby’

Rob is a member of the Critics Choice Association and a Rotten Tomatoes-approved critic. While many of Rob&#8217;s contemporaries got into the movie coverage game right after college, Rob spent his formative years managing retail stores and working in the Peet&#8217;s Coffee IT department. That changed in late 2007 when he reached out to a young film site called Film School Rejects about writing opportunities. They didn&#8217;t pay at the time, but free movies and a chance to share his opinions were more than enough for a hobby. He went full-time as a writer some years later and ultimately called FSR his online home for seventeen years.

Rob Hunter

‘Mister Frost’ Offers No Sympathy for the Devil

Jenn is a writer and podcaster from Nashville, TN. She co-hosts both Psychoanalysis: A Horror Therapy Podcast examining mental health topics through the lens of the horror genre and The Loser’s Club: A Stephen King Podcast taking frequent deep dives into the work and adaptations of her favorite author. She is a senior writer for Consequence of Sound and will gladly talk your ear off about final girls, feminism, and Stephen King.

Jenn Adams

The Monstrous Minds of ‘Daniel Isn’t Real’ and ‘The Babadook’

Markus Amalthea Magnuson is a film writer and technologist from Stockholm, Sweden. He holds a BA and MA in Cinema Studies and wrote his master&#8217;s thesis on cyborgs and gender in film and television. He is the Head of Short Film Programming at the genre festival Monsters of Film and curates notable science fiction movies at scifiagenda.com.

Markus Amalthea Magnuson

‘The Laplace’s Demon’ Finds Fear in the Inevitable

Joe George holds a PhD in American Literature and has been teaching English for over ten years. His writing has appeared in places such as Slate, StarTrek,com, Shudder’s The Bite, and Syfy Wire. He regularly contributes words to outlets including Think Christian, Bloody Disgusting, Living Lutheran, and Tor.com.

Joe George

Anthony Mackie Forest Whitaker Repentance

‘Repentance’ and the Spiritual Fear of Damnation

Bee Delores is a freelance writer based in West Virginia. They are a columnist for Bloody Disgusting and have bylines in /Film, Dread Central, Slay Away with Us, Here Us Scream, and others. In 2023, Bee served on the screening board for Overlook Film Festival. They are also the founder of the indie horror blog B-Sides &amp; Badlands. When they&#8217;re not watching Halloween H20 for the one-millionth time, they are hiking, biking, crocheting, or snuggling their four cats.

Bee Delores

‘The Seventh Victim’ Is a Tragic Tale of Mental Health

Chad Collins has been writing professionally about film, especially horror films, since 2020. He started as a contributor for Dread Central and later branched out with pieces for Gayly Dreadful, Rue Morgue, Certified Forgotten, Anatomy of a Scream, and several others. In 2021, Chad was welcomed on as both a staff writer at Dread Central and a features writer at /Film. Since then, he has been fortunate enough to better enmesh himself into the genre, attending the Sundance Film Festival, where in 2022 he was awarded a Press Inclusion Initiative grant, Fantasia International Film Festival, Tribeca Film Festival, South by Southwest, and several others.

Chad Collins

Time-Travelling Trauma in ‘The House at the End of Time’

Charlie Brigden is a writer who lives in South Wales with his wife, two children, and several pets. For most of his career he has specialized in writing about music in film, and has amassed several bylines for outlets such as Roger Ebert, The Quietus, Polygon, Film School Rejects, and more. He is also the author of several liner notes and essays for soundtracks and Blu-rays from such labels as Mondo DeathWaltz, Milan Records, Arrow Films, and Indicator.

Charlie Brigden

James Horner and the Sound of Horror

Britt Sandler is genre specialist and publicist for fun movies like &#8216;Wolfman&#8217;s Got Nards&#8217; and cool festivals like Nightstream. She loves watching people watch &#8216;Hocus Pocus&#8217; for this first time. You can find her on Twitter (@besandler) or follow her cute dog Bodhi on Instagram (@somebodhitolove).

Britt Sandler

‘Scooby-Doo and the Ghoul School’ Was Universal Monsters 101

Paul Doro&#8217;s writing has appeared in the books Gender, Sexuality, and Queerness in American Horror Story and American Revenge Narratives: A Collection of Critical Essays. He has also written for Shock Till You Drop, Wicked Horror, Creative Screenwriting, and Frames Cinema Journal.

Paul Doro

‘Resurrection’ Is the Best ‘Se7en’ Successor

Alex is a queer femme writer &amp; dog walker living in Toronto, Ontario. She is the creator of @lezzie_borden, an Instagram account dedicated to queer womxn in horror. Her work has appeared in Room, Feels Zine, Dyke Queen &amp; Underblong Journal. She has work forthcoming in a ‘zine dedicated to Guadagnino’s Suspiria, the anthology ‘zine Neon Horror &amp; Grim Magazine.

Alex Hall

‘The Taking of Deborah Logan’ As Faux-Queer Archive

Maggie Stankiewicz

Meditations on Guilt in ‘Soul Survivors’