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Editorials
Reviews
Podcasts
Pitch Us
Newsletter
Editorials
Editorials
‘Dead Meat’ and the Dawn of Irish Horror Cinema
Ygraine Hackett-Cantabrana
August 15, 2023
Editorials
Anything But Empty: The Making of Cult Classic ‘The Empty Man’
Chloe Waryan
August 11, 2023
Editorials
The Shakespearean Romance of ‘Return of the Living Dead III’
Kat Hughes
August 8, 2023
Editorials
Resurrecting ‘Urban Legends: Bloody Mary’
Kim Morrison
August 7, 2023
Editorials
’13B’ and the Overlooked World of Indian Horror
Luke David
August 3, 2023
Uterus Horror
‘The Reaping’ Offers a Twisted Religious Horror Story
Molly Henery
July 18, 2023
Editorials
‘Murder, Anyone?’ and the Violence of Creation
Bee Delores
July 13, 2023
Editorials
Revisiting Larry Fessenden’s ‘No Telling’
Jamie Alvey
July 3, 2023
Editorials
Moral Panics and Video Nasties: How Fear Turns Into Censorship in ‘Censor’
Livia Reim
June 30, 2023
Editorials
She’s a Queen: Camp, Queerness, and Comedy in ‘Elvira, Mistress of the Dark’
Peter Piatkowski
June 30, 2023
Uterus Horror
How ‘Satanic Panic’ Captures Adulthood Limbo
Molly Henery
June 15, 2023
Editorials
‘The Wailing’ and the Identity Crises of a Korean Generation
Justin Kyle
June 1, 2023
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