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Editorials
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Podcasts
Pitch Us
Newsletter
Editorials
Editorials
‘Season of the Witch’ Is an Early Entry in Second-Wave Feminism
Mónica Teresa Ortiz
March 22, 2023
Editorials
‘Get In’ Twists the Home Invasion Genre Into Knots
Paul Doro
March 13, 2023
Editorials
‘The Exorcist III’ Knows We Don’t Need It
Wang Sum Luk
March 3, 2023
Editorials
Broken Britain, Hoodie Horror, and the Muddled Class Politics of ‘Eden Lake’
Emmett O’Regan
February 24, 2023
Editorials
The Psychology of Choice in ‘Would You Rather’
Danielle Cappolla
February 23, 2023
Editorials
How Trauma Shapes Perceptions of Body, Identity and Time in ‘I am The Pretty Thing That Lives in The House’
Livia Reim
February 21, 2023
Editorials
‘Lisa’ Is a Bizarre Intersection of ’80s Thrillers and ’90s Kids Movies
Tori Potenza
February 14, 2023
Editorials
The Curious Case of ‘Dracula in Istanbul’
Kayleigh Donaldson
February 6, 2023
Editorials
‘Home for the Holidays’ is the Missing Link in the Slasher Genre
William Bibbiani
February 3, 2023
Editorials
‘Gothika’ and Disbelieving Black Women
Sharena Sigmon
January 29, 2023
Editorials
‘Laid to Rest’ Revels in Its Slasher Depravity
Christine Makepeace
January 29, 2023
Editorials
Two Titans at a Carnival: ‘Quicksilver Highway’ Takes Viewers on a Curious Journey
Samantha Jacobs
January 18, 2023
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