The Monstrous Minds of ‘Daniel Isn’t Real’ and ‘The Babadook’
June 10th, 2021 • Jenn Adams
Film critic Jenn Adams explains how ‘Daniel Isn’t Real’ and ‘The Babdook’ explore different personifications of mental illness.
June 10th, 2021 • Jenn Adams
Film critic Jenn Adams explains how ‘Daniel Isn’t Real’ and ‘The Babdook’ explore different personifications of mental illness.
June 2nd, 2021 • Molly Henery
In her latest Uterus Horror column, critic Molly Henery explore the hidden depths of Swiss mermaid coming-of-age film ‘Blue My Mind.’
May 28th, 2021 • Markus Amalthea Magnuson
In ‘The Laplace’s Demon,’ Italian filmmaker Giordano Giulivi utilizes old school technology to guide the bloody hand of fate.
May 24th, 2021 • Joe George
For film critic Joe George, Philippe Caland’s ‘Repentance’ is an all-too-familiar exploration of the terrors of eternal damnation.
May 20th, 2021 • Bee Delores
Jason Scott explores how ‘The Seventh Victim’ offers a candid look at mental illness that is decades ahead of its time.
May 14th, 2021 • Chad Collins
In Alejandro Hidalgo’s ‘The House at the End of Time,’ even time travel won’t let you escape national and intergenerational trauma.
May 6th, 2021 • Charlie Brigden
Long before his work on ‘Avatar’ or ‘Titanic,’ James Horner was a film composer who honed his craft in low-budget horror films.
May 4th, 2021 • Britt Sandler
Hanna-Barbera introduced the Universal Monsters to a new generation of female horror fans with 1988’s ‘Scooby-Doo and the Ghoul School.’
April 27th, 2021 • Molly Henery
Columnist Molly Henery tackles cult classic ‘Jennifer’s Body,’ a movie that makes literal the notion that hell is a teenage girl.
April 20th, 2021 • Paul Doro
Paul Doro digs into Russell Mulcahy’s ‘Resurrection,’ a movie that deserves to be remembered as the best of the ‘Se7en’ successors.