Skip to Content
Subscribe
Log In
Menu
Search
Search
About Us
Editorials
The Rewind
Reviews
Podcasts
Pitch Us
Log In
Subscribe
All Articles
Editorials
Why ‘Deadly Games’ Is the Horror Fan’s ‘Home Alone’
Katie Liggera
December 31, 2021
Editorials
‘Silent Night’ Brings Us the Best Kind of Bad Santa
Paul Doro
December 30, 2021
Editorials
Embracing the Pop Nihilism of ‘Anna and the Apocalypse’
Jenn Adams
December 23, 2021
Editorials
‘Hosts’ and the Subversion of the Family Christmas
Brian Keiper
December 21, 2021
Editorials
It Came Upon A Midnight Clear: Homoeroticism and Festive Sacrilege in ‘Sheitan’
Alex Hall
December 17, 2021
Editorials
The Abysmal Magnetism of ‘Just Before Dawn’
RC Jara
December 13, 2021
Editorials
The Interactive Horrors of ‘Return to House on Haunted Hill’
Chris McMullen
December 7, 2021
Editorials
‘Kolobos’: The Reality TV Horror Ahead of Its Time
Sab Astley
December 1, 2021
Editorials
In Defense of 2018’s ‘Countdown’
Christine Makepeace
November 29, 2021
Uterus Horror
In ‘Species,’ Biological Clocks Run Amok
Molly Henery
November 23, 2021
Editorials
Revisiting ‘The Girl in the Photographs’ Five Years On
Kevin Sparrow
November 10, 2021
Editorials
‘Angel Heart’ and the Twisted Allure of X-Rated Horror
Roxana Hadadi
October 29, 2021
Newer
Older