Certified Forgotten Header

lede_post_card_default

lede_post_card_stacked

lede_post_card_featured_post

lede_post_card_featured_posts_hero

lede_post_card_featured_posts_sidebar

lede_post_card_highlighted_post

lede_post_card_horizontal_a

lede_post_card_horizontal_c

lede_post_card_related_post

lede_post_card_square

lede_article_featured_16x9

lede_article_featured_3x2

lede_article_featured_1x1

lede_article_featured_flexible

lede_article_content

lede_article_content_wide_width

lede_article_content_full_width

lede_byline_avatar_post_card

lede_byline_avatar_highlight

lede_profile_coral_avatar

lede_logo

lede_logo_banner

lede_logo_footer_banner

lede_logo_simple_header

lede_sponsorship_logo

lede_sponsorship_logo_river_card

lede_sponsorship_homepage_card_logo

lede_sponsorship_homepage_card

Footer

Main Menu

cropped-Certified-Forgotten-Header.png

Certified Forgotten

Certified Forgotten Live in Los Angeles

Untitled design (84)

The Eastwood Campaign

<p>Wally Adams is a freelance writer, teacher, traveler and/or whatever else comes up. While long an enthusiast of world cinema, he’s guilty as charged of having had less interest in horror films than most other genres for a long time (for thinking them too unrealistic). That was until realizing horror films are actually some of the best for tapping into (or devouring) the souls of different people, cultures and beliefs.</p>


Stephen Forsyth

‘Hatchet for the Honeymoon’ Is Mario Bava’s Most Self-Conscious Horror