Certified Forgotten Header

lede_post_card_default

lede_post_card_stacked

lede_post_card_featured_post

lede_post_card_featured_posts_hero

lede_post_card_featured_posts_sidebar

lede_post_card_highlighted_post

lede_post_card_horizontal_a

lede_post_card_horizontal_c

lede_post_card_related_post

lede_post_card_square

lede_article_featured_16x9

lede_article_featured_3x2

lede_article_featured_1x1

lede_article_featured_flexible

lede_article_content

lede_article_content_wide_width

lede_article_content_full_width

lede_byline_avatar_post_card

lede_byline_avatar_highlight

lede_profile_coral_avatar

lede_logo

lede_logo_banner

lede_logo_footer_banner

lede_logo_simple_header

lede_sponsorship_logo

lede_sponsorship_logo_river_card

lede_sponsorship_homepage_card_logo

lede_sponsorship_homepage_card

Footer

Main Menu

cropped-Certified-Forgotten-Header.png

Certified Forgotten

Certified Forgotten Live in Los Angeles

Untitled design (84)

The Eastwood Campaign

<p>Dr Kate Bowen is an author, poet, and academic from South Australia with a life-long love of horror. Kate&#8217;s writing is informed by her PhD in American cinema and gender studies and 8 years of research experience as a feminist film scholar at The University of Adelaide. In 2018, Kate spoke at the Revelation International Film Festival in Perth, Western Australia as one of the academic pioneers of research into found footage horror films and their relationship with Laura Mulvey&#8217;s theory of the male gaze. Her work appears extensively in horror magazine We Are Horror as one of the contributors to the magazine&#8217;s inception in 2020 and later in 2021 as a monthly columnist. Horror magazines Grim and Ghouls have also hosted Kate&#8217;s writing and her articles can also be found at Certified Forgotten, The Artifice, and Film Cred. Kate is currently writing a book chapter expanding her research into Southern Gothic horror and cannibalism as a gendered phenomenon in the Wrong Turn series.</p>


Olwen Catherine Kelly

Reading the Female Body in ‘The Autopsy of Jane Doe’