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<p>Chad Collins has been writing professionally about film, especially horror films, since 2020. He started as a contributor for Dread Central and later branched out with pieces for Gayly Dreadful, Rue Morgue, Certified Forgotten, Anatomy of a Scream, and several others. In 2021, Chad was welcomed on as both a staff writer at Dread Central and a features writer at /Film. Since then, he has been fortunate enough to better enmesh himself into the genre, attending the Sundance Film Festival, where in 2022 he was awarded a Press Inclusion Initiative grant,  Fantasia International Film Festival, Tribeca Film Festival, South by Southwest, and several others.</p>


Hector Mercado

Time-Travelling Trauma in ‘The House at the End of Time’