In ‘Paranormal Activity 3,’ Family Comes First
December 3rd, 2022 • Christine Makepeace
Christine Makepeace explores the haunted connective tissue between ‘Paranormal Activity 3’ and ‘Poltergeist.’
December 3rd, 2022 • Christine Makepeace
Christine Makepeace explores the haunted connective tissue between ‘Paranormal Activity 3’ and ‘Poltergeist.’
December 2nd, 2022 • Molly Henery
Molly Henery’s latest Uterus Horror column explores ‘Eve’s Bayou,’ a new classic that finds tragedy at the heart of adolescence.
November 28th, 2022 • Ciara Moloney
David Winters combined exploitation with genre deconstruction in the Troma Entertainment feature ‘The Last Horror Film.’
November 22nd, 2022 • Adrian Manuel
Adrian Manuel connects the dots between Mark Pellington’s ‘The Mothman Prophecies’ and David Prior’s ‘The Empty Man.’
November 18th, 2022 • Xanthe Pajarillo
Xanthe Pajarillo finds a lot more than novelty in ‘Pathogen,’ the 2006 zombie film from 12-year-old filmmaker Emily Hagins.
November 16th, 2022 • Sezín Devi (Koehler)
Sezin Koehler celebrates ‘Don’t Go in the Woods,’ Vincent D’Onofrio’s biting slasher-musical about the dark allure of fame.
November 8th, 2022 • Anna McKibbin
Anna McKibbin explores the religious and linguistic significance of ‘The Feast,’ Lee Haven Jones’s Welsh-language horror film.
November 4th, 2022 • Guillermo De Querol
Guillermo De Querol finds empathy within the madness of Japanese director Shinya Tsukamoto’s cult horror classic ‘Kotoko.’
November 3rd, 2022 • Jenn Adams
Jenn Adams highlights the mental and body horrors of Lauren Hadaway’s ‘The Novice’ and shares her own struggles with intrusive thoughts.
October 28th, 2022 • Meg Shields
If you watched Phil Tippett’s ‘Mad God’ and wondered how well each creature could kiss, well, you’re certainly not alone.