Editorials

November 16th, 2022 • Sezín Koehler

Sezin Koehler celebrates ‘Don’t Go in the Woods,’ Vincent D’Onofrio’s biting slasher-musical about the dark allure of fame.

November 8th, 2022 • Anna McKibbin

Anna McKibbin explores the religious and linguistic significance of ‘The Feast,’ Lee Haven Jones’s Welsh-language horror film.

November 4th, 2022 • Guillermo De Querol

Guillermo De Querol finds empathy within the madness of Japanese director Shinya Tsukamoto’s cult horror classic ‘Kotoko.’

November 3rd, 2022 • Jenn Adams

Jenn Adams highlights the mental and body horrors of Lauren Hadaway’s ‘The Novice’ and shares her own struggles with intrusive thoughts.

October 28th, 2022 • Meg Shields

If you watched Phil Tippett’s ‘Mad God’ and wondered how well each creature could kiss, well, you’re certainly not alone.

October 26th, 2022 • Claire C. Holland

Claire C. Holland compares how films like ‘The Witch’ and ‘Promising Young Woman’ fit into the Good For Her Cinematic Universe.

October 7th, 2022 • Julieann Stipidis

Julieann Stipidis kicks off Halloweiner month at Certified Forgotten with an ode to unsafe horror like ‘Terrifier’ and ‘Terrifier 2.’

September 30th, 2022 • Molly Henery

In this month’s Uterus Horror column, Molly Henery finds the thematic common ground between ‘The Craft’ and ‘The Craft: Legacy.’

September 21st, 2022 • Kayleigh Donaldson

Kayleigh Donaldson sings the praises of ‘Phantom of the Mall: Eric’s Revenge,’ an ’80s slasher with ‘Phantom’ fever.

September 9th, 2022 • Sakhi Thirani

Contributor Sakhi Thirani explores how the Hindi-language parlor horror ‘Kaun?’ subverts both genre and Bollywood tropes.