‘Gothika’ and Disbelieving Black Women
January 30th, 2023 • Sharena Sigmon
Sharena Sigmon examines the intersection of Blackness and medicine in Mathieu Kassovitz’s 2003 horror film ‘Gothika.’
‘Laid to Rest’ Revels in Its Slasher Depravity
January 30th, 2023 • Christine Makepeace
Christine Makepeace explains why, despite its flaws, Robert Green Hall’s ‘Laid to Rest’ is a marvel of practical slasher effects.
Two Titans at a Carnival: ‘Quicksilver Highway’ Takes Viewers on a Curious Journey
January 18th, 2023 • Samantha Jacobs
‘Quicksilver Highway’ offered an unexpected, made-for-TV marriage between horror titans Stephen King and Clive Barker.
‘Labyrinth’ Is a Coming-of-Age Story With Puppets
January 11th, 2023 • Molly Henery
Uterus Horror columnist Molly Henery finds more than muppets in Jennifer Connelly’s coming-of-age classic, ‘Labyrinth.’
‘1922’ Reveals the Darkest Side of Stephen King
December 30th, 2022 • Brendan Foley
Brendan Foley explains how Zak Hilditch’s ‘1922’ captures the uncharacteristic darkness in Stephen King’s original novella.
‘Low Life’ Is a Blood-Soaked Cautionary Tale
December 29th, 2022 • Akos Peterbencze
Akos Peterbencze writes about Tyler Michael James’s ‘Low Life,’ a trauma-fueled tragedy that will linger on your mind for days.
‘Bones and All’ Offers a Raw Look at Adolescence
December 27th, 2022 • Molly Henery
In this month’s Uterus Horror, Molly Henery tackles ‘Bones and All,’ Luca Guadagnino’s coming-of-age cannibalism movie.
The Queer Cockroach of ‘Mimic 2’
December 20th, 2022 • Eric Langberg
Eric Langberg returns with a queer reading of ‘Mimic 2,’ the direct-to-video sequel to Guillermo del Toro’s ‘Mimic.’
‘The Loved Ones’ Offers a Twisted Take on Girlhood
December 19th, 2022 • Annette LePique
In ‘The Loved Ones,’ writer-director Sean Byrne offers a macabre take on the tolls of girlhood and adolescence.
‘Creep 2’ Has a Lot To Say About Horror Sequels
December 15th, 2022 • Jay Norton
Jay Norton writes about ‘Creep 2,’ Mark Duplass’s horror sequel that has as much to say about the industry as it does about its predecessor.