February 21st, 2023 • Livia Reim
Livia Reim explores the presence of trauma in Osgood Perkins’s ethereal horror film ‘I Am the Pretty Thing That Lives in the House.’
February 15th, 2023 • Tori Potenza
Tori Potenza explains how Gary Sherman’s ‘Lisa’ bridges the 1980s and 1990s with its blend of horror, eroticism, and adolescence.
February 7th, 2023 • Kayleigh Donaldson
Kayleigh Donaldson explains why ‘Dracula in Istanbul’ belongs in the inner circle of Bram Stoker adaptations.
February 4th, 2023 • William Bibbiani
Forget ‘Bay of Blood’ or ‘Black Christmas’: William Bibbiani is here to reclaim ‘Home for the Holidays’ as the slasher missing link.
January 30th, 2023 • Sharena Sigmon
Sharena Sigmon examines the intersection of Blackness and medicine in Mathieu Kassovitz’s 2003 horror film ‘Gothika.’
January 30th, 2023 • Christine Makepeace
Christine Makepeace explains why, despite its flaws, Robert Green Hall’s ‘Laid to Rest’ is a marvel of practical slasher effects.
January 18th, 2023 • Samantha Jacobs
‘Quicksilver Highway’ offered an unexpected, made-for-TV marriage between horror titans Stephen King and Clive Barker.
January 11th, 2023 • Molly Henery
Uterus Horror columnist Molly Henery finds more than muppets in Jennifer Connelly’s coming-of-age classic, ‘Labyrinth.’
December 30th, 2022 • Brendan Foley
Brendan Foley explains how Zak Hilditch’s ‘1922’ captures the uncharacteristic darkness in Stephen King’s original novella.
December 29th, 2022 • Akos Peterbencze
Akos Peterbencze writes about Tyler Michael James’s ‘Low Life,’ a trauma-fueled tragedy that will linger on your mind for days.