‘Low Life’ Is a Blood-Soaked Cautionary Tale
December 29th, 2022 • Akos Peterbencze
Akos Peterbencze writes about Tyler Michael James’s ‘Low Life,’ a trauma-fueled tragedy that will linger on your mind for days.
December 29th, 2022 • Akos Peterbencze
Akos Peterbencze writes about Tyler Michael James’s ‘Low Life,’ a trauma-fueled tragedy that will linger on your mind for days.
December 27th, 2022 • Molly Henery
In this month’s Uterus Horror, Molly Henery tackles ‘Bones and All,’ Luca Guadagnino’s coming-of-age cannibalism movie.
December 20th, 2022 • Eric Langberg
Eric Langberg returns with a queer reading of ‘Mimic 2,’ the direct-to-video sequel to Guillermo del Toro’s ‘Mimic.’
December 19th, 2022 • Annette LePique
In ‘The Loved Ones,’ writer-director Sean Byrne offers a macabre take on the tolls of girlhood and adolescence.
December 15th, 2022 • Jay Norton
Jay Norton writes about ‘Creep 2,’ Mark Duplass’s horror sequel that has as much to say about the industry as it does about its predecessor.
December 3rd, 2022 • Christine Makepeace
Christine Makepeace explores the haunted connective tissue between ‘Paranormal Activity 3’ and ‘Poltergeist.’
December 2nd, 2022 • Molly Henery
Molly Henery’s latest Uterus Horror column explores ‘Eve’s Bayou,’ a new classic that finds tragedy at the heart of adolescence.
November 28th, 2022 • Ciara Moloney
David Winters combined exploitation with genre deconstruction in the Troma Entertainment feature ‘The Last Horror Film.’
November 22nd, 2022 • Adrian Manuel
Adrian Manuel connects the dots between Mark Pellington’s ‘The Mothman Prophecies’ and David Prior’s ‘The Empty Man.’
November 18th, 2022 • Xanthe Pajarillo
Xanthe Pajarillo finds a lot more than novelty in ‘Pathogen,’ the 2006 zombie film from 12-year-old filmmaker Emily Hagins.