Editorials

March 29th, 2024 • Garrett Brown

Garrett Brown explains why ‘The Scooby-Doo Project’ remains both one of the best and the strangest entries in the ‘Scooby Doo’ universe.

March 27th, 2024 • Rob Thomas

Rob Thomas digs into the buried secrets of ‘Sanzaru,’ Xia Magnus’s haunting ghost story about a caretaker and her client.

February 27th, 2024 • Molly Henery

Molly Henery explores Jennifer Reeder’s ‘Perpetrator’ and its radical portrayal of empathy for her Uterus Horror series.

February 22nd, 2024 • Kayleigh Donaldson

Kayleigh Donaldson explores the mixed results of ‘Queen of the Damned,’ the film that tried to bring vampires into the 2000s.

February 15th, 2024 • pine breaks

In this piece, pine breaks praises the behind-the-scenes star power of Brian Yuzna’s dental slasher, ‘The Dentist.’

February 14th, 2024 • Becca Johnson

Becca Johnson explores the unique combination of body horror and cosmic terror found in Jeffrey A. Brown’s ‘The Beach House.’

February 2nd, 2024 • Molly Henery

Molly Henery sets her sights on the always-traumatizing ‘Return To Oz’ in the latest edition of her Uterus Horror series.

January 26th, 2024 • Livia Reim

Lívia Reim explores the dark and terrible isolation that drives Osgood Perkins’s ‘The Blackcoat’s Daughter.’

January 19th, 2024 • Emily Naser-Hall

Emily Naser-Hall examines the unique perspective Paul Owens’s ‘Landlocked’ offers on organic and technological memories.

January 17th, 2024 • Grant Butler

Grant Butler explains how William Malone’s ‘House on Haunted Hill’ tapped into the future of reality television.