Editorials

August 8th, 2023 • Kat Hughes

Kat Hughes explains why Brian Yuzna’s ‘Return of the Living Dead III’ serves as horror’s most faithful Shakespeare adaptation.

August 8th, 2023 • Kim Morrison

Kim Morrison explains why Mary Lambert’s ‘Urban Legends: Bloody Mary’ deserves to sit alongside the other films in the franchise.

August 3rd, 2023 • Luke David

Vikram Kumar’s ’13B: Fear Has A New Address’ sits alongside ‘Pulse’ and ‘One Missed Call’ as strong examples of international techno-horror.

July 18th, 2023 • Molly Henery

Stephen Hopkins’s ‘The Reaping’ assembles an incredibly talented cast for a twisted, religious coming-of-age horror film.

July 13th, 2023 • Bee Delores

James Cullen Bressack’s ‘Murder, Anyone?’ is a comedic meta-horror that nevertheless finds true violence in the creative process.

July 3rd, 2023 • Jamie Alvey

For his debut feature ‘No Telling,’ Larry Fessenden turned to Mary Shelley’s ‘Frankenstein’ for inspiration.

June 30th, 2023 • Livia Reim

Set in a time of government censorship, Prano Bailey-Bond’s ‘Censor’ uses video nasties to explore the darker side of moral panics.

June 30th, 2023 • Peter Piatkowski

With ‘Elvira, Mistress of the Dark,’ Cassandra Peterson created an earnest tale of queer ostracization and isolation.

June 15th, 2023 • Molly Henery

In her latest Uterus Horror piece, Molly Henery explains how Chelsea Stardust’s ‘Sanatic Panic’ captures the limbo before adulthood.

June 1st, 2023 • Justin Kyle

Justin Kyle explains why Na Hong-jin’s ‘The Wailing’ has as much to say about generational divides as it does about religious horror.