Editorials

October 20th, 2021 • Gem Seddon

Film critic Gem Seddon explains how motherhood and loss transform the place of women in ‘Annihilation’ and the ‘Alien’ franchise.

October 13th, 2021 • BJ Colangelo

Film critic BJ Colangelo delves into the sordid history of breasts in horror to find the subversive heart of the genre beating just beneath.

October 1st, 2021 • C.M. Crockford

C.M. Crockford explains why Stuart Gordon’s ‘Dagon’ remains both the most alluring and terrifying adaptation of H.P. Lovecraft’s work.

September 24th, 2021 • Gabriela Almeida

Gabriela Almeida explains how ‘Handgun’ shifts rape-revenge away from “male fantasies” and strips America’s fetishism around guns.

September 22nd, 2021 • Wesley Lara

Wesley Lara explains why Jean-Baptiste Andrea and Fabrice Canepa’s ‘Dead End’ belongs in the inner circle of Christmas horror.

September 17th, 2021 • Red Broadwell

Body horror is an intricate subgenre of horror preying on the innate fear of losing…

September 13th, 2021 • Jenn Adams

Film critic Jenn Adams explores Mike Flanagan’s ‘Absentia’ through the lens of her own struggles with loss and addiction.

August 27th, 2021 • John Patterson

Film critic John Patterson explains why Marcus Koch’s ‘100 Tears’ serves as the perfect transition between eras in horror.

August 13th, 2021 • Eric Langberg

Film critic Eric Langberg defends the decision to move away from found footage in ‘The Last Exorcism Part 2.’

August 12th, 2021 • Ciara Moloney

Film critic Ciara Moloney finds a lot to like in Aaron Hann and Mario Miscione’s ‘Circle,’ a sci-fi thriller with serious bite.