Editorials

January 12th, 2022 • Sezín Koehler

Sezin Koehler revisit M. Night Shyamalan’s ‘The Village’ and finds a prescient warning against the performative safeties of society.

January 10th, 2022 • Kayleigh Donaldson

Kayleigh Donaldson explores ‘Dracula 2000,’ Dimension Films’s ambitious, religious retelling of the Dracula mythos.

December 31st, 2021 • Katie Liggera

Katie Liggera carves out space in the holiday horror canon for Rene Manzor’s ‘Deadly Games,’ aka ‘Dial Code Santa Claus.’

December 31st, 2021 • Paul Doro

In this Certified Forgotten stocking stuffer, Paul Doro explains why Steven C. Miller’s ‘Silent Night’ (2012) is a Christmas horror classic.

December 23rd, 2021 • Jenn Adams

Jenn Adams rings in the holidays with an exploration of how the music in ‘Anna and the Apocalypse’ achieves pop nihilism perfection.

December 22nd, 2021 • Brian Keiper

Brian Keiper explains why Adam Leader and Richard Oakes’s ‘Hosts’ (2020) is a lean, mean piece of holiday horror.

December 17th, 2021 • Alex Hall

Alex Hall returns to Certified Forgotten to celebrate ‘Sheitan,’ Kim Chapiron’s queer deconstruction of Christmas rituals.

December 13th, 2021 • RC Jara

While not as well-known as the other slashers from 1981, Jeff Lieberman’s ‘Just Before Dawn’ is a standout in its own right.

December 7th, 2021 • Chris McMullen

Chris McMullen explores the short-lived interactive cinema trend with ‘Return to House on Haunted Hill,’ one of its best-known entries.

December 1st, 2021 • Sab Astley

Sab Astley explains why Daniel Liatowitsch & David Todd Ocvirk’s ‘Kolobos’ is an important link to James Wan’s ‘Saw’ franchise.