Editorials

August 5th, 2022 • Matthew St. Clair

Matthew St. Clair explain how Rebecca Hall’s performance in ‘The Night House’ helped him better understand his anxiety.

August 2nd, 2022 • Annette LePique

Annette LePique returns to Certified Forgotten with a Freudian analysis of ‘Cherry Falls,’ Brittany Murphy’s horror cult classic.

July 30th, 2022 • Molly Henery

In this month’s column, Molly Henery celebrates summer with Sam Levine’s dark, violent, and empowering ‘Assassination Nation.’

July 25th, 2022 • Kayleigh Donaldson

Kayleigh Donaldson returns with a love letter to Julia, the delightful villainess of ‘Hellraiser’ and ‘Hellbound: Hellraiser II.’

July 19th, 2022 • Ariel Powers-Schaub

Ariel Powers-Schaub finds a kindred spirit in ‘Butterfly Kisses,’ Erik Kristopher Myers’s 2018 found footage cult classic.

July 11th, 2022 • Erin Matthews

Erin Matthews explains how Scott Spiegel’s 1989 slasher ‘Intruder’ set the stage for some of modern horror’s best kills.

July 5th, 2022 • Molly Henery

In her latest edition of Uterus Horror, Molly Henery gives Hannah Macpherson’s ‘Pure’ some much-deserved love.

July 1st, 2022 • Violet Burns

Violet Burns explains how Adrian Țofei’s ‘Be My Cat: A Film for Anne’ pushes the found footage genre beyond its so-called limitations.

June 28th, 2022 • Shae Sennett

Shae Sennett explains why Takashi Miike’s ‘Visitor Q’ is a gleeful exploration of humanity’s worst impulses.

June 22nd, 2022 • Melanie Moyer

Melanie Moyer blends the best of found footage and haunted house horror in her essay on ‘The Houses October Built.’