Three Nights of Death: Folk Horror in Mosfilm’s ‘Viy’
January 13th, 2021 • Conor Small
The popularity of The Babadook, The VVitch, and Midsommar in the past five years tells us…
The Enduring Power of Beverly Marsh in ‘It’
January 11th, 2021 • Molly Henery
In a genre typically considered “for the guys,” it’s time to give a nod to…
‘The Final Girls’ Finds Acceptance in Slashers
January 5th, 2021 • Christine Makepeace
Summer camp slashers are a staple of the horror genre. From Friday the 13th to…
In Defense of the ‘Amityville Horror’ Sequels
January 3rd, 2021 • Eric Langberg
Once upon a time there was a house at 112 Ocean Avenue, in Amityville, New…
‘Vengeful Heart’ and the Rise of Vietnamese Horror
December 30th, 2020 • Nguyen Le
Whenever international horror has a backyard party, Vietnam misses out. There’s no restriction or bad…
Teen Wolves Are People Too in ‘When Animals Dream’
December 22nd, 2020 • Molly Henery
In a genre typically considered “for the guys,” it’s time to give a nod to…
‘White: Melody of Death’ Sings the Horrors of K-Pop
December 18th, 2020 • Paul Lê
There was a time in my life when I ate, slept, and breathed K-pop. A…
‘Bit’ Marks a New Era for Vampire and Trans Cinema
December 14th, 2020 • Harmony Colangelo
Harmony Colangelo sinks her teeth into Brad Michael Elmore’s ‘Bit,’ a film that marks a new era for both vampire and trans cinema.
‘Brainscan’ and the Paranoia of Video Game Violence
December 11th, 2020 • Rosie Knight
In 1994 there was nothing more scary than the specter of video game violence. Technology-based horrors…
Episode 30: Lindsay Traves Succumbs To a ‘Fugue’
December 9th, 2020 • Matthew Monagle
What kind of a movie does $20,000 buy you? If you’re writer-director Tomas Street, it…