The Untapped Promise of ‘Disturbing Behavior’
October 30th, 2023 • Patricia Miranda
If there is an undisputed contender in the what-ifs of cinema history, it would have…
October 30th, 2023 • Patricia Miranda
If there is an undisputed contender in the what-ifs of cinema history, it would have…
October 27th, 2023 • Livia Reim
Livia Reim returns to Certified Forgotten with an essay on ‘Friendly Beast,’ Gabriela Amaral’s wickedly sharp Brazilian thriller.
October 23rd, 2023 • Sarah Miles
Sarah Miles explains how ‘Savageland’ uses the faux documentary subgenre to craft a perfect political horror story for modern America.
October 17th, 2023 • Eric Langberg
Eric Langberg returns with a thoughtful breakdown of the metatextual ‘The Third Saturday in October’ duology.
October 13th, 2023 • Andrea Thompson
Andrea Thompson makes a case for Julius Avery’s ‘Overlord’ as the high-end horror comfort food we need in dark political times.
October 9th, 2023 • Celia Mattison
Celia Mattison explains why we should also be fans of Amy Seimetz’s pre-pandemic pandemic movie, ‘She Dies Tomorrow.’
October 6th, 2023 • CK Kimball
CK Kimball laments the unfulfilled potential of Joe Berlinger’s meta-media commentary ‘Book of Shadows: Blair Witch 2.’
September 27th, 2023 • Ryan Scott
Ryan Scott explains why Bryan Bertino’s ‘The Monster’ deserved much better than its direct-to-video release from A24.
September 25th, 2023 • E.L. King
E.L. King explains why David F. Sandberg’s ‘Lights Out’ is a harrowing exploration of mental illness through horror.
September 21st, 2023 • Luis Pomales-Diaz
Luis Pomales-Diaz explains how ‘Mahakaal’ is both a loving Bollywood homage to ‘Nightmare on Elm Street’ and so much more.