ARTICLES

November 10th, 2023 • Victoria Jaye

Victoria Jaye explains why the ‘Satan’s School for Girls’ remake endures as an important time capsule of witches in 2000s popular culture.

November 9th, 2023 • Ryan Uytdewilligen

Ryan Uytdewilligen explains the unlikely marriage of horror icon Vincent Price and Canadian kid’s show ‘The Hilarious House of Frightenstein.’

November 2nd, 2023 • Liam Griffin

Liam Griffin tackles the sun-soaked horror subversion of Jonathan Levine’s ‘All The Boys Love Mandy Lane.’

October 31st, 2023 • Molly Henery

For a special Halloween edition of her Uterus Horror column, Molly Henery digs into the movie version of ‘Buffy the Vampire Slayer.’

October 30th, 2023 • Patricia Miranda

If there is an undisputed contender in the what-ifs of cinema history, it would have…

October 27th, 2023 • Livia Reim

Livia Reim returns to Certified Forgotten with an essay on ‘Friendly Beast,’ Gabriela Amaral’s wickedly sharp Brazilian thriller.

October 23rd, 2023 • Sarah Miles

Sarah Miles explains how ‘Savageland’ uses the faux documentary subgenre to craft a perfect political horror story for modern America.

October 17th, 2023 • Eric Langberg

Eric Langberg returns with a thoughtful breakdown of the metatextual ‘The Third Saturday in October’ duology.

October 13th, 2023 • Andrea Thompson

Andrea Thompson makes a case for Julius Avery’s ‘Overlord’ as the high-end horror comfort food we need in dark political times.

October 9th, 2023 • Celia Mattison

Celia Mattison explains why we should also be fans of Amy Seimetz’s pre-pandemic pandemic movie, ‘She Dies Tomorrow.’