Intimate Fears of the Service Industry in ‘The Stylist’
November 30th, 2023 • Devaughn Taylor
DeVaughn Taylor explains why Jill Gevargzian’s ‘The Stylist’ hits especially hard for people who work in the service industry.
Breaking Free From Trauma in ‘We Are What We Are’
November 20th, 2023 • Molly Henery
Molly Henery writes about the depiction of cannibalism, trauma, and adolescence in Jim Mickle’s ‘We Are What We Are.’
Pentagrams, Crows, and ‘Satan’s School for Girls’
November 10th, 2023 • Victoria Jaye
Victoria Jaye explains why the ‘Satan’s School for Girls’ remake endures as an important time capsule of witches in 2000s popular culture.
How Vincent Price Headlined ‘The Hilarious House of Frightenstein’
November 9th, 2023 • Ryan Uytdewilligen
Ryan Uytdewilligen explains the unlikely marriage of horror icon Vincent Price and Canadian kid’s show ‘The Hilarious House of Frightenstein.’
The Sun-Soaked Subversion of ‘All the Boys Love Mandy Lane’
November 2nd, 2023 • Liam Griffin
Liam Griffin tackles the sun-soaked horror subversion of Jonathan Levine’s ‘All The Boys Love Mandy Lane.’