‘Assassination Nation’ Is an American Horror Story
July 30th, 2022 • Molly Henery
In this month’s column, Molly Henery celebrates summer with Sam Levine’s dark, violent, and empowering ‘Assassination Nation.’
‘Hellraiser’s Julia: The Underrated Villainess of Horror
July 25th, 2022 • Kayleigh Donaldson
Kayleigh Donaldson returns with a love letter to Julia, the delightful villainess of ‘Hellraiser’ and ‘Hellbound: Hellraiser II.’
‘Butterfly Kisses’ Captures the Compulsion to Create
July 19th, 2022 • Ariel Powers-Schaub
Ariel Powers-Schaub finds a kindred spirit in ‘Butterfly Kisses,’ Erik Kristopher Myers’s 2018 found footage cult classic.
Podcast: Harmony Colangelo on ‘Bit’
July 11th, 2022 • Matthew Monagle
Harmony Colangelo joins the Certified Forgotten podcast to champion Brad Michael Elmore’s modern vampire classic, ‘Bit.’
“In This Economy?” Revisiting ‘Intruder’ in 2022
July 11th, 2022 • Erin Matthews
Erin Matthews explains how Scott Spiegel’s 1989 slasher ‘Intruder’ set the stage for some of modern horror’s best kills.
‘Pure’ Rips the Heart Out of Virginity Pledges
July 5th, 2022 • Molly Henery
In her latest edition of Uterus Horror, Molly Henery gives Hannah Macpherson’s ‘Pure’ some much-deserved love.
‘Be My Cat: A Film for Anne’ Is Peak Found Footage
July 1st, 2022 • Violet Burns
Violet Burns explains how Adrian Țofei’s ‘Be My Cat: A Film for Anne’ pushes the found footage genre beyond its so-called limitations.