Video Essay: The Art Of The Female Cannibal Movie
January 27th, 2021 • Jenny Nulf
One of horror’s most taboo subgenres is cannibalism. It was a subgenre for the exploitive, often…
Finding Strength in Illness With ‘The Silenced’
January 25th, 2021 • Valerie Ettenhofer
Here’s to the endless streaming menu scroll. Some nights, I choose to forgo critical consensus,…
How ‘Dark Ride’ Helped the Slasher Survive
January 22nd, 2021 • Brett Gallman
Recent releases like Happy Death Day, The Strangers: Prey at Night, and Hell Fest have…
Three Nights of Death: Folk Horror in Mosfilm’s ‘Viy’
January 13th, 2021 • Conor Small
The popularity of The Babadook, The VVitch, and Midsommar in the past five years tells us…
The Enduring Power of Beverly Marsh in ‘It’
January 11th, 2021 • Molly Henery
In a genre typically considered “for the guys,” it’s time to give a nod to…
‘The Final Girls’ Finds Acceptance in Slashers
January 5th, 2021 • Christine Makepeace
Summer camp slashers are a staple of the horror genre. From Friday the 13th to…
In Defense of the ‘Amityville Horror’ Sequels
January 3rd, 2021 • Eric Langberg
Once upon a time there was a house at 112 Ocean Avenue, in Amityville, New…
‘Vengeful Heart’ and the Rise of Vietnamese Horror
December 30th, 2020 • Nguyen Le
Whenever international horror has a backyard party, Vietnam misses out. There’s no restriction or bad…
Teen Wolves Are People Too in ‘When Animals Dream’
December 22nd, 2020 • Molly Henery
In a genre typically considered “for the guys,” it’s time to give a nod to…
‘White: Melody of Death’ Sings the Horrors of K-Pop
December 18th, 2020 • Paul Lê
There was a time in my life when I ate, slept, and breathed K-pop. A…