Editorials

May 4th, 2021 • Britt Sandler

Hanna-Barbera introduced the Universal Monsters to a new generation of female horror fans with 1988’s ‘Scooby-Doo and the Ghoul School.’

April 20th, 2021 • Paul Doro

Paul Doro digs into Russell Mulcahy’s ‘Resurrection,’ a movie that deserves to be remembered as the best of the ‘Se7en’ successors.

April 12th, 2021 • Alex Hall

Critic Alex Hall explains how found footage films like ‘The Taking of Deborah Logan’ help preserve queer identities onscreen.

April 9th, 2021 • Maggie Stankiewicz

Maggie Stankiewicz makes the case for Stephen Carpenter’s much-maligned ‘Soul Survivors’ as a modern horror classic on guilt—and acceptance.

April 8th, 2021 • RC Jara

R.C Jara explains how Tyler MacIntyre’s ‘Tragedy Girls’ blows up some of our favorite slasher tropes in service of Generation Z.

April 6th, 2021 • Molly Henery

In the latest entry of her Uterus Horror series, Molly Henery explores the coming-of-age elements in Robert Eggers’s ‘The Witch.’

April 5th, 2021 • Wally Adams

Film critic Wally Adams explains how the Ramsay Brothers helped Bollywood find its appetite for horror in ‘Bandh Darwaza.’

April 4th, 2021 • Matt Donato

Matt Donato turns back the clock to visit Disney’s ‘Halloweentown,’ a witchy coming-of-age story with a timeless message of acceptance.

April 1st, 2021 • Erin McGurk

Erin McGurk explores ‘My Super Psycho Sweet 16,’ MTV’s horror experiment that rose above its influences to become a worthwhile slasher.

March 25th, 2021 • Mary Beth McAndrews

Mark Sheridan’s ‘Crone Wood’ adds a crucial perspective on sexual violence against men to found footage horror.