‘May’ Is a Grotesque Plea for Kindness
October 24th, 2024 • Molly Henery
Molly Henery breaks down Lucky McKee’s ‘May’ as a perfect example of Uterus Horror – and a grotesque plea for empathy.
October 24th, 2024 • Molly Henery
Molly Henery breaks down Lucky McKee’s ‘May’ as a perfect example of Uterus Horror – and a grotesque plea for empathy.
August 29th, 2024 • Molly Henery
Molly Henery’s Uterus Horror series returns with this heartfelt dive into Goran Stolevski’s ‘You Won’t Be Alone.’
June 27th, 2024 • Molly Henery
Molly Henery explores the unease of Jane Schoenbrun’s ‘We’re All Going To the World’s Fair,’ a horror story for the online among us.
May 24th, 2024 • Molly Henery
Molly Henery examines the sisterhood at the heart of Agnieszka Smoczynska’s ‘The Lure’ in this edition of Uterus Horror.
April 30th, 2024 • Molly Henery
Molly Henery adds Marina’s Sargenti’s ‘Mirror Mirror’ to her Uterus Horror canon and digs into the darkness of being a teenager.
February 27th, 2024 • Molly Henery
Molly Henery explores Jennifer Reeder’s ‘Perpetrator’ and its radical portrayal of empathy for her Uterus Horror series.
February 2nd, 2024 • Molly Henery
Molly Henery sets her sights on the always-traumatizing ‘Return To Oz’ in the latest edition of her Uterus Horror series.
December 28th, 2023 • Molly Henery
Molly Henery completes her ‘Ginger Snaps’ essay series with a look at the horror western prequel, ‘Ginger Snaps Back: The Beginning.’
November 20th, 2023 • Molly Henery
Molly Henery writes about the depiction of cannibalism, trauma, and adolescence in Jim Mickle’s ‘We Are What We Are.’
October 31st, 2023 • Molly Henery
For a special Halloween edition of her Uterus Horror column, Molly Henery digs into the movie version of ‘Buffy the Vampire Slayer.’