‘The Taking of Deborah Logan’ As Faux-Queer Archive
April 12th, 2021 • Alex Hall
Critic Alex Hall explains how found footage films like ‘The Taking of Deborah Logan’ help preserve queer identities onscreen.
April 12th, 2021 • Alex Hall
Critic Alex Hall explains how found footage films like ‘The Taking of Deborah Logan’ help preserve queer identities onscreen.
April 9th, 2021 • Maggie Stankiewicz
Maggie Stankiewicz makes the case for Stephen Carpenter’s much-maligned ‘Soul Survivors’ as a modern horror classic on guilt—and acceptance.
April 8th, 2021 • RC Jara
R.C Jara explains how Tyler MacIntyre’s ‘Tragedy Girls’ blows up some of our favorite slasher tropes in service of Generation Z.
April 6th, 2021 • Molly Henery
In the latest entry of her Uterus Horror series, Molly Henery explores the coming-of-age elements in Robert Eggers’s ‘The Witch.’
April 5th, 2021 • Wally Adams
Film critic Wally Adams explains how the Ramsay Brothers helped Bollywood find its appetite for horror in ‘Bandh Darwaza.’
April 4th, 2021 • Matt Donato
Matt Donato turns back the clock to visit Disney’s ‘Halloweentown,’ a witchy coming-of-age story with a timeless message of acceptance.
April 1st, 2021 • Erin McGurk
Erin McGurk explores ‘My Super Psycho Sweet 16,’ MTV’s horror experiment that rose above its influences to become a worthwhile slasher.
March 31st, 2021 • Matthew Monagle
What do you get when you cross Fede Álvarez‘s Evil Dead remake with Christopher Nolan‘s…
March 25th, 2021 • Mary Beth McAndrews
Mark Sheridan’s ‘Crone Wood’ adds a crucial perspective on sexual violence against men to found footage horror.
March 19th, 2021 • Bee Turck
Blake Turck explores how Rachel Talalay’s ‘Ghost in the Machine’ helped set the stage for horror franchises like ‘Final Destination.’