Broken Britain, Hoodie Horror, and the Muddled Class Politics of ‘Eden Lake’
February 24th, 2023 • Emmett O'Regan
Emmett O’Regan explains why the legacy of James Watkins’s ‘Eden Lake’ is hampered by its muddled approach to class politics.
February 24th, 2023 • Emmett O'Regan
Emmett O’Regan explains why the legacy of James Watkins’s ‘Eden Lake’ is hampered by its muddled approach to class politics.
February 23rd, 2023 • Danielle Cappolla
Danielle Cappolla explains why the act of choosing is essential to understanding and appreciating David Guy Levy’s ‘Would You Rather.’
February 21st, 2023 • Livia Reim
Livia Reim explores the presence of trauma in Osgood Perkins’s ethereal horror film ‘I Am the Pretty Thing That Lives in the House.’
February 15th, 2023 • Tori Potenza
Tori Potenza explains how Gary Sherman’s ‘Lisa’ bridges the 1980s and 1990s with its blend of horror, eroticism, and adolescence.
February 14th, 2023 • Matthew Monagle
Brad McHargue returns to discuss Trevor Juras’s ‘The Interior,’ a micro-budget horror film that combines A24 and ‘Office Space.’
February 7th, 2023 • Kayleigh Donaldson
Kayleigh Donaldson explains why ‘Dracula in Istanbul’ belongs in the inner circle of Bram Stoker adaptations.
February 4th, 2023 • William Bibbiani
Forget ‘Bay of Blood’ or ‘Black Christmas’: William Bibbiani is here to reclaim ‘Home for the Holidays’ as the slasher missing link.